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Title

The Analysis of The Concept of Time in Performance-Art based on Gilles Deleuze’ s Ideas

Pages

  35-49

Abstract

 Art in Deleuze’ s ideas is a block of percepts and affects that is made in order to make audiences free from cliché s. Performanceart works’ approach to social matters are to disarrange cliché s, too. The aim of this paper is to analyze “ Time” as an essential component in Performance-Art works to answer to this question: What potential is in artists’ approach to this component for expressing social matters? This qualitative research uses descriptive-analytical method and to elaborate Deleuze recognizes Time as a qualitative component and he claims Duration as true meaning of Time that is in uninterrupted becoming. Then, by analyzing well-known performanceart works which emphasize on Time, we found: artists, by framing their work, make audiences pay attention to Duration and open hole of life and in result of it invite them for rethinking about all kinds of transcendentality which are maden by regimes of truth that govern the society.

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    APA: Copy

    Pourkasmaei, Pouya, NADALIAN, AHMAD, & MARASI, MOHSEN. (2019). The Analysis of The Concept of Time in Performance-Art based on Gilles Deleuze’ s Ideas. KIMIYA YE HONAR, 8(31 ), 35-49. SID. https://sid.ir/paper/378192/en

    Vancouver: Copy

    Pourkasmaei Pouya, NADALIAN AHMAD, MARASI MOHSEN. The Analysis of The Concept of Time in Performance-Art based on Gilles Deleuze’ s Ideas. KIMIYA YE HONAR[Internet]. 2019;8(31 ):35-49. Available from: https://sid.ir/paper/378192/en

    IEEE: Copy

    Pouya Pourkasmaei, AHMAD NADALIAN, and MOHSEN MARASI, “The Analysis of The Concept of Time in Performance-Art based on Gilles Deleuze’ s Ideas,” KIMIYA YE HONAR, vol. 8, no. 31 , pp. 35–49, 2019, [Online]. Available: https://sid.ir/paper/378192/en

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