Applying the Place of Islamic Mysticism and Zen Buddhist Ideology in Sohrab Sepehri's Paintings

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Jalali Kamali Fataneh; Razaghpour Morteza; SADEGHI ALI; ARDALANI HOSSEIN

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Journal: ISLAMIC ART Year:2020 | Volume:17 | Issue:39 Page(s): 367-387

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Title

Applying the Place of Islamic Mysticism and Zen Buddhist Ideology in Sohrab Sepehri's Paintings

Author(s)

Jalali Kamali Fataneh | Razaghpour Morteza | SADEGHI ALI | ARDALANI HOSSEIN | Issue Writer Certificate

Keywords

Islamic mysticismQ2

Zen BuddhismQ1

PaintingQ2

Sohrab SepehriQ1

Abstract

Painting and poetry, as two arts that are closely related to one's thoughts and interests, are a reflection of common religious beliefs and associated symbols. Painting and poetry are both rooted from the same source and foundation and correspond to the thoughts and ideas of the author. Sohrab Sepehri, a contemporary poet and painter, has a special style that distinguishes his works from others. The issue that can be raised is how to reflect the cultural beliefs and mystical thoughts in Sohrab Sepehri's Paintings. This research uses a descriptive method and content analysis to analyze the style of Sohrab Sepehri's Paintings. The findings of the research indicate that Sepehri has used mystical ideas such as Islamic mysticism and Zen Buddhism in his Paintings and his works are influenced by Zen behavior. Most mystical artists, including Sepehri, have paid much attention to nature, which is one of the obvious manifestations of the creation of the universe.; in this sense, Sepehri sees and feels God next to the tall pine tree in the middle of the night. Sepehri's works also have artistic and semantic themes of worldview of mysticism, including Islamic mysticism. In general, it can be said that mystical ideas and Zen Buddhist behavior have been very influential in the composition and drawing of Sepehri Paintings. Also, the existence of mystical and Zen symbols of Buddhism, such as mountains, trees, etc. in Sepehri's Paintings expresses Sepehri's naturalism, which is one of the mystical ideas and principles of Zen Buddhism.

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APA: Copy

Jalali Kamali, Fataneh, Razaghpour, Morteza, SADEGHI, ALI, & ARDALANI, HOSSEIN. (2020). Applying the Place of Islamic Mysticism and Zen Buddhist Ideology in Sohrab Sepehri's Paintings. ISLAMIC ART, 17(39 ), 367-387. SID. https://sid.ir/paper/382780/en

Vancouver: Copy

Jalali Kamali Fataneh, Razaghpour Morteza, SADEGHI ALI, ARDALANI HOSSEIN. Applying the Place of Islamic Mysticism and Zen Buddhist Ideology in Sohrab Sepehri's Paintings. ISLAMIC ART[Internet]. 2020;17(39 ):367-387. Available from: https://sid.ir/paper/382780/en

IEEE: Copy

Fataneh Jalali Kamali, Morteza Razaghpour, ALI SADEGHI, and HOSSEIN ARDALANI, “Applying the Place of Islamic Mysticism and Zen Buddhist Ideology in Sohrab Sepehri's Paintings,” ISLAMIC ART, vol. 17, no. 39 , pp. 367–387, 2020, [Online]. Available: https://sid.ir/paper/382780/en

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