The comparative analysis of the landscape in the artworks of the Isfahan school of painting (Case study: the artworks of Sadiqi Beg Afshar and Reza Abbasi)

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Makhmalbaf Malakzad; FARROKHFAR FARZANEH

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Journal: NEGARINEH ISLAMIC ART Year:2020 | Volume:7 | Issue:19 Page(s): 41-61

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Title

The comparative analysis of the landscape in the artworks of the Isfahan school of painting (Case study: the artworks of Sadiqi Beg Afshar and Reza Abbasi)

Author(s)

Makhmalbaf Malakzad | FARROKHFAR FARZANEH | Issue Writer Certificate

Keywords

Safavid Painting

Isfahan school of painting

drawing the landscape

Reza Abbasi

Sadiqi Beg Afshar

Abstract

Over the chronicle of Persian painting, depicting the landscape has always occupied a peculiar position, being demonstrated through an array of forms and accompanied with different manifestations. Drawing the flashy representation of the landscape was considered under careful attention of painters during the 16th and 17th centuries. But it was bearded considerable alternations in the Isfahan school of painting which the landscape lost its own previous practicality. During this period of history, two prominent painters of Safavid court-Sadiqi Beg Afshar and Reza Abbasi – changed the style of drawing the landscape. Sadiqi Beg Afshar was the representative of the new and Reza Abbasi was the representative of the former style of drawing the landscape. Taking a glance at the works of these two artists, the viewer can easily see the differences. Since they are the notable delegates of the later and former styles in the Isfahan school of painting, the recognition of visual resemblance and discrepancy of the landscape is highly necessary. Accordingly, the authors seek to answer this question: which special properties have been applied in the later and former styles of Isfahan school of painting based on artistic works of Reza Abbasi and Sadiqi Beg Afshar? To conducting this research as the qualitative study, firstly, the nature and the basis of drawing the landscapes and sceneries of the two styles have been defined and then a contrastive study among their works was conducted. The results showed there are obvious distinctions in special tendencies of drawing the landscapes which were being manifested through the exclusive inclination to the nature by each of those two masters.

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APA: Copy

Makhmalbaf, Malakzad, & FARROKHFAR, FARZANEH. (2020). The comparative analysis of the landscape in the artworks of the Isfahan school of painting (Case study: the artworks of Sadiqi Beg Afshar and Reza Abbasi). NEGARINEH ISLAMIC ART, 7(19 ), 41-61. SID. https://sid.ir/paper/391109/en

Vancouver: Copy

Makhmalbaf Malakzad, FARROKHFAR FARZANEH. The comparative analysis of the landscape in the artworks of the Isfahan school of painting (Case study: the artworks of Sadiqi Beg Afshar and Reza Abbasi). NEGARINEH ISLAMIC ART[Internet]. 2020;7(19 ):41-61. Available from: https://sid.ir/paper/391109/en

IEEE: Copy

Malakzad Makhmalbaf, and FARZANEH FARROKHFAR, “The comparative analysis of the landscape in the artworks of the Isfahan school of painting (Case study: the artworks of Sadiqi Beg Afshar and Reza Abbasi),” NEGARINEH ISLAMIC ART, vol. 7, no. 19 , pp. 41–61, 2020, [Online]. Available: https://sid.ir/paper/391109/en

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