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Title

THE ARTISTIC COUNTENANCE OF QURAN

Pages

  5-14

Abstract

 The prophet Mohamed's everlasting MIRACLE is the holy QURAN, one of whose aspect is the ARTistic IMAGEs by the means of which guidance of mankind has been accomplished. The QURANic terms as luminous lanterns, resemble prism, has multiple aspects: their appearances are beautiful and their meanings are prolonged, one layer into another. Reciting QURAN compiles all the sensations; motivates wisdom and employs IMAGE to describe reality. The present essay is a humble attempt to unveil one of the unique stunning attributions of QURAN appearance, as well as to suggest and introduce its influential role in guiding the mankind. In so doing, all subjects supporting the issue, on the strength of valid references and experts' opinions, have been mentioned. The aforesaid subjects are as follows: the inner and outer rhythm of the verses, the harmony of the terms and their meanings, the literary delicacy and ingenious makings, the aspect and kind of MIRACLE, the divine made health guarantee, the way through which massage is convoyed and received, the mysterious individual letters, and revelation of QURAN as the real words of God. On the other hand, some aesthetic evidences such as how to decorate the meanings by IMAGEs and sensations, to conceive the emotions by descriptions of natural and super natural visions like Resurrection and real stories have been established. It should be added that the ARTistic IMAGEs in QURAN are combined with hues and motivations, with the soft ringing of the words mixed with the singing of the sentences and rhyme of verses in such way that all sensations, spirit and wisdom are filled with them. The all mighty God has implemented the delicacy and intricacy in QURAN, the ones which has done to the all other creations. The experts in Arabic literature and learned men, like physicians who understand the supremeness of the creation of the body of human beings given that they are not aware of all the mysteries of the body structure, know the decisive values and extreme beauties of QURAN. The QURAN in accumulation, given all diversities in stages and levels, is an even literature collection in terms of eloquence and fluency. The organization of QURAN like other organization of every creature which is intended to perform some specialized purposes, has been specialized by the means of every words in groups and phrases, so much so that if one of the words is replaced or changed, the whole organization of QURAN would be impaired. The interpretation of QURAN, even in the Arabic language, dose not enjoys the novelty existing in the original verses; in such a way that it's being ARTificial goes without saying. When contrasting QURAN with other texts we come to a kind of incontestable result including this fact that QURAN is a matter of mere uniqueness rather than a man made literary work. In so visualization, its most important attribution is that the nature of human being comes to a close contact with the conceptions expressed by QURAN and so can inhale the marvelous beauties and sensations. The eloquence and, subtle kind expressing the most prominent points in the suitable consequence and joining of the words in QURAN, while, at the same time, no ignorance of music and meaning can persuade every literary man to come to the confession that this amount of beauty making cannot be attributed to human being but to the divine revelation-the one which can serve as the fully and highly reliable proof and evidence, as well as an MIRACLE for the prophecy of the great prophet Mohammed.

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  • Cite

    APA: Copy

    MOHAMMAD YASREBI, S.A.. (2008). THE ARTISTIC COUNTENANCE OF QURAN. HONAR-HA-YE-ZIBA, -(33), 5-14. SID. https://sid.ir/paper/5631/en

    Vancouver: Copy

    MOHAMMAD YASREBI S.A.. THE ARTISTIC COUNTENANCE OF QURAN. HONAR-HA-YE-ZIBA[Internet]. 2008;-(33):5-14. Available from: https://sid.ir/paper/5631/en

    IEEE: Copy

    S.A. MOHAMMAD YASREBI, “THE ARTISTIC COUNTENANCE OF QURAN,” HONAR-HA-YE-ZIBA, vol. -, no. 33, pp. 5–14, 2008, [Online]. Available: https://sid.ir/paper/5631/en

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