AN INTRODUCTION TO TYPOLOGY OF THE MUSIC VARIETY IN LORESTAN

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MONAZAMI SH.

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Journal: HONAR-HA-YE-ZIBA Year:2009 | Volume:- | Issue:36 Page(s): 123-129

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Title

AN INTRODUCTION TO TYPOLOGY OF THE MUSIC VARIETY IN LORESTAN

Author(s)

MONAZAMI SH. | Issue Writer Certificate

Keywords

FOLKLORE MUSICQ3

MODALQ2

MINSTRELSQ3

GYPSY (GENEROUS)Q3

LOR AND LAKQ3

TALLQ3

Abstract

The historical sites and monuments remained from the ancient time are reminiscences of a strong generation whose ancestors had sometime ascended to the peak of their carrier, sometimes distressed and sometimes faced with intermission and stagnation in their magnificent and wonderful search; and these circumstances reveal mysteries to us whether at the time of engraving an image into a stone, or sculpturing a statue, erecting of a building or crafting a musical and acoustic instrument. During the wars between Iran and Arabs, and domination of the Arabs all sources of the Persian music including its track and clef which has been recorded in numerous books by the scientists and masters of music were totally burnt to ashes and destroyed and lost its scientific aspect, particularly when it was branded with as being illegitimate, something which was intensified during the Safavid Dynasty, when the elite class avoid it willingly or unwillingly. Therefore, the practical and technical portion of music fell into the hand of the ordinary and common people. However, since the fire of keenness on the fine industries particularly music which stems from the natural emotions, sentiments and properties of human being has been flaming among the art patronizing nations, this art treaded its path by another route, just like painting in which the artists and masters began to portray pictures beyond the nature in the carpets, imaginary scenes, miniatures, penholders and so on instead of using the nature itself, and manifested the gem of their talents and genius by means of inventing a special style acceptable for their time. The scientific music, too, opened its way praiseworthily through Ta’zieh (type of religious play) and Rowzekhani (narrating the passions of the Infallibles) and was transferred to us and the usual track of the world music by word of mouth by the artists and art patrons of art, and it was the same track which prevented the Persian music from annihilation. Over the recent years, the number of the FOLKLORE MUSIC fans increased more and before. Today a large group of students finds nobility in the native and local values and norms and try to reconstruct and revive them. Whereas FOLKLORE MUSIC and country songs which are presented in the form of a MODAL have always served as the primitive element for further and greater acquaintance with the traditional music, The songs and melodies whose magnificent tinkle sooth the fatigue bodies in each and every moment of the life. They have composed the most elegant words from birth to rejoice and from rejoice to mourning at the time of unity and disunity with the dear ones of the clan and tribe or in their work and labor of goatskin beating, harvesting, threshing and milking; neither they have even disremembered the beautiful songs of the night at time of sleep and rest. the present article attempts to identify one of the varieties of the FOLKLORE MUSIC of Iran in order to urge further research on the nobility of the sets of pitches.

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APA: Copy

MONAZAMI, SH.. (2009). AN INTRODUCTION TO TYPOLOGY OF THE MUSIC VARIETY IN LORESTAN. HONAR-HA-YE-ZIBA, -(36), 123-129. SID. https://sid.ir/paper/5736/en

Vancouver: Copy

MONAZAMI SH.. AN INTRODUCTION TO TYPOLOGY OF THE MUSIC VARIETY IN LORESTAN. HONAR-HA-YE-ZIBA[Internet]. 2009;-(36):123-129. Available from: https://sid.ir/paper/5736/en

IEEE: Copy

SH. MONAZAMI, “AN INTRODUCTION TO TYPOLOGY OF THE MUSIC VARIETY IN LORESTAN,” HONAR-HA-YE-ZIBA, vol. -, no. 36, pp. 123–129, 2009, [Online]. Available: https://sid.ir/paper/5736/en

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