HOLY DE FEN SE THEATRE AND RELIGIOUS DRAMA

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SARSANGI M.

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: HONAR-HA-YE-ZIBA Year:2005 | Volume:- | Issue:23 Page(s): 97-102

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Information Journal Paper

Title

HOLY DE FEN SE THEATRE AND RELIGIOUS DRAMA

Author(s)

SARSANGI M. | Issue Writer Certificate

Keywords

HOLY DEFENSE THEATREQ3

RELIGIOUS DRAMAQ4

AUDIENCE PARTICIPATION IN PERFORMANCEQ4

RITUAL DRAMAQ4

SACRED ARTQ3

Abstract

From the birth of the "HOLY DEFENSE THEATRE" in Iran, which came about as a result of the Iraqi imposed war on Iran, many people including artists and scholars have classified this kind of theatre as RELIGIOUS DRAMA. Despite the popularity of this view, it is not based on an academic definition. When considering the main features of RELIGIOUS DRAMA such as subject, character, symbolism, quality and quantity of audience, AUDIENCE PARTICIPATION IN PERFORMANCEs as well as performance environment, one sees that there are numerous differences between RELIGIOUS DRAMA and "HOLY DEFENSE THEATRE". As there are some similarities between these two forms of performances and as this type of theatre is related to the prevalent religious ideology of Iranian society, it is possible that by using the main features of RELIGIOUS DRAMA in HOLY DEFENSE THEATRE', ways can be found to further develop this theatre and make it more popular.

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APA: Copy

SARSANGI, M.. (2005). HOLY DE FEN SE THEATRE AND RELIGIOUS DRAMA. HONAR-HA-YE-ZIBA, -(23), 97-102. SID. https://sid.ir/paper/5765/en

Vancouver: Copy

SARSANGI M.. HOLY DE FEN SE THEATRE AND RELIGIOUS DRAMA. HONAR-HA-YE-ZIBA[Internet]. 2005;-(23):97-102. Available from: https://sid.ir/paper/5765/en

IEEE: Copy

M. SARSANGI, “HOLY DE FEN SE THEATRE AND RELIGIOUS DRAMA,” HONAR-HA-YE-ZIBA, vol. -, no. 23, pp. 97–102, 2005, [Online]. Available: https://sid.ir/paper/5765/en

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