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Title

DRAMA DIRECTOR: EMERGENCE, POSITION AND DEFINITION

Pages

  79-85

Abstract

 For two cenluries of the presence of western theatre in Iran, due to establishing of printing offices, translating and publishing the works of great playwrights, in particular, and the international exchanges, theatre has been able to achieve a proper place within the urban associations. However it could neither meet its full potential, nor it could be institutionalised. Overall, only a few could be identified as theatrte DIRECTORs.Unfortunately, most of the theatre artists have considered this new position, similar to the position of Mo'in-ol-Boka in earlier performances.This article is an attempt to explain the emergence of the term, the development and the cultural contribution of this position, and the DIRECTOR's commitments and obligations. It is also an attempt to clarify the designation of the 20th century as the «DIRECTOR's Age» by some practitioners.It should be mentioned that the author is not ignoring the contribution and the place of playwrights and their important and valuable roles in theatre.

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  • Cite

    APA: Copy

    AZIZI, MAHMOUD. (2001). DRAMA DIRECTOR: EMERGENCE, POSITION AND DEFINITION. HONAR-HA-YE-ZIBA, -(9), 79-85. SID. https://sid.ir/paper/5829/en

    Vancouver: Copy

    AZIZI MAHMOUD. DRAMA DIRECTOR: EMERGENCE, POSITION AND DEFINITION. HONAR-HA-YE-ZIBA[Internet]. 2001;-(9):79-85. Available from: https://sid.ir/paper/5829/en

    IEEE: Copy

    MAHMOUD AZIZI, “DRAMA DIRECTOR: EMERGENCE, POSITION AND DEFINITION,” HONAR-HA-YE-ZIBA, vol. -, no. 9, pp. 79–85, 2001, [Online]. Available: https://sid.ir/paper/5829/en

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