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Information Journal Paper

Title

STUDY OF STRUCTURE AND VIEWING ANGLES OF PERSIAN GARDEN IN PERSIAN GARDEN PAINTINGS AND GARDEN CARPETS IN SAFAVID PERIOD

Pages

  31-42

Abstract

 Iranian garden is one of the frequent and popular subject matters in Iranian paintings and carpets. The various types of Iranian art in Islamic period widely focused on displaying gardens. The present study aimed at examining Iranian garden and the process of building gardens in Safavid period in two visual fields of painting and scarpets. Therefore, this research tries to study the composition and viewing angles of on GARDEN CARPETs and Iranian paintings of the Safavid period and their mutual relationship. soSo that it could reach a comprehensive structure of designing gardens and spectator’s visual imagination in this two visual fields.The study was in a type of descriptive analytic approach and data analysis was carried out inductively.The study was a qualitative research with a comparative approach. The main part of this study is based on library obtained data. The purpose was to investigate the main structure of garden in carpets and Iranian paintings of the Safavid period, to find out existing similarities and differences between these two visual fields. The main research question here is that what kind of the structural linkage is there between the form of GARDEN IN PAINTINGS and carpets of Safavid period.The hypothesis is that the two artistic forms of GARDEN CARPETs and paintings have mutual effects and intertextual linkage. Therefore, and based on carried out investigations in Safavid period, we selected 20 carpets and 46 paintings, and finally we randomly selected 5 samples out of each group for analysis then we tried to confirm the hypothesis having structuralistic and intertextuasl orientation.. The results showed that the composition of PERSIAN GARDENs in the Safavid paintings and GARDEN CARPETs was derived from the Chahar Bagh pattern with the emphasis on the centrality of dock, water distribution network, symmetry, naturalism, harmony of elements of the garden and the separation of spaces. Existing Existing viewing angels varied according to the spectator’s position.

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    APA: Copy

    MOHAMMAD ZADEH, MEHDI, & NOORI, SONIYA. (2017). STUDY OF STRUCTURE AND VIEWING ANGLES OF PERSIAN GARDEN IN PERSIAN GARDEN PAINTINGS AND GARDEN CARPETS IN SAFAVID PERIOD. BAGH-E NAZAR, 14(52), 31-42. SID. https://sid.ir/paper/701523/en

    Vancouver: Copy

    MOHAMMAD ZADEH MEHDI, NOORI SONIYA. STUDY OF STRUCTURE AND VIEWING ANGLES OF PERSIAN GARDEN IN PERSIAN GARDEN PAINTINGS AND GARDEN CARPETS IN SAFAVID PERIOD. BAGH-E NAZAR[Internet]. 2017;14(52):31-42. Available from: https://sid.ir/paper/701523/en

    IEEE: Copy

    MEHDI MOHAMMAD ZADEH, and SONIYA NOORI, “STUDY OF STRUCTURE AND VIEWING ANGLES OF PERSIAN GARDEN IN PERSIAN GARDEN PAINTINGS AND GARDEN CARPETS IN SAFAVID PERIOD,” BAGH-E NAZAR, vol. 14, no. 52, pp. 31–42, 2017, [Online]. Available: https://sid.ir/paper/701523/en

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