ORIGINS OF ISLAMIC ART IN TITUS BURCKHARDT’S THINKING

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SARTIPIPOUR MOHSEN

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Journal: Soffeh Year:2008 | Volume:17 | Issue:46 Page(s): 91-100

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Information Journal Paper

Title

ORIGINS OF ISLAMIC ART IN TITUS BURCKHARDT’S THINKING

Author(s)

SARTIPIPOUR MOHSEN | Issue Writer Certificate

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Abstract

In contrast to chronological or formal studies on Islamic art and architecture, Titus Burckhardt makes a conceptual analysis of meaning and form in Islamic art and architecture. This paper reviews Burckhardt's works to summarize his views on Islamic ontology and subsequently on art and architecture. The study demonstrates that tradition and representation are key concepts in Burckhardt’s thinking which are instrumental in relating Islamic art to other forms of sacred art.

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References

در مجموعه مفاهیم سنت، تجدد و توسعه

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APA: Copy

SARTIPIPOUR, MOHSEN. (2008). ORIGINS OF ISLAMIC ART IN TITUS BURCKHARDT’S THINKING. SOFFEH, 17(46), 91-100. SID. https://sid.ir/paper/94351/en

Vancouver: Copy

SARTIPIPOUR MOHSEN. ORIGINS OF ISLAMIC ART IN TITUS BURCKHARDT’S THINKING. SOFFEH[Internet]. 2008;17(46):91-100. Available from: https://sid.ir/paper/94351/en

IEEE: Copy

MOHSEN SARTIPIPOUR, “ORIGINS OF ISLAMIC ART IN TITUS BURCKHARDT’S THINKING,” SOFFEH, vol. 17, no. 46, pp. 91–100, 2008, [Online]. Available: https://sid.ir/paper/94351/en

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