The study of narrative and its elements has been reported by lots of researchers of narratology scope so far as they proceeded to the investigation of different types of literary works with a narrative-criticism approach. With the expansion of narrating works the literary-critics theories have been developed including the famous Russian theorist' approach, Vladimir Propp, that proposed a regular method with a reliance on "character". He studied the Russian folklore stories and concluded that each of these tales had a constant structure with constant functions and just characters changed. In over past decades works related to childish literature has a special place and take into account by lots of critics including childish poem, among other types of contemporary literacy, is a "toddler" in the Arabic and even world literature. Among authors and poets interested in childish literature, Suleiman Al-Isa is a Syrian one. In the present research, the elegy "I narrate my childhood for you, children" was selected and discussed using analytic-descriptive method focusing on Vladimir Propp method in the "Morphology of the folk tales" book. After mentioning theoretical discussion, the elegy was studied and concluded that Al-Isa applied important features of narrating elements like character and its function and characterizations that is a base of Vladimir Propp while the context and narrator was stated simply, childishly and easily understandable in order to be understandable and tangible for his addressees, children. In addition to characterizations special for the processing of hero characteristic, the exchange technique was applied as one of the main narrative elements.

The fivefold elements of elegy which has come from classical Arabic criticism has special place in Hoboubi, s poem. Hoboubi, like his other contemporaries, insisted on using these elements and applied their rules and regulations on the basis of the former critics, s ideas in his poem well and nicely. He believed that the elements of the ancient poem are valuable heritage in literature which is remained from predecessors.And first, every poet must try to apply them nicely in his poem. Second, a poet must try to achieve the goal of creating new literal works out of traditional styles of poems. In this examination we see that Hoboubi has used special talent and genius in selecting anice opening verse and agreement of the contents of opening verse with the poems and its end.

Since the days of ignorance, ode in Arabic literature has been written based on a specified system and poets and critics have used this defined structure as foundation of their works. Arabic ode consists of several parts, each of which is an introduction to the next part; first verse of an ode is called matla'. After matla' are placed tashbib (to mention youth affairs) or nasib (soft poetry about women), taxallos (pseudonym) (escape of poet from lyricism to main theme), main theme (praise, glory, whimper, etc.), and maqta' (section) (prayer of approval and desire to immortality for desired person of the poem) respectively. This is the exact criterion which past poets obliged themselves to it and critics make future poets to follow it. Jarollah Zamakhshari is one of the poets that this paper analyzes his adherence to Arabic ode of ignorance period through investigating odes and methods applied in composing prelude, matla', pseudonym (connection of prelude with main purpose of the poem),final part and unity of subject.

Khaqani (520-595 A.H.) a famous Persian poet has precious odes (qasideh) and meaningful, complicated poems and is considered as an outstanding poet in Azarbayjani style during 6th century.His poems are full of scientific subjects, religious terms, and can be considered as an encyclopedia of Koranic education and hadith (the words and deeds of prophets and Imams). His mastery in various sciences and application of them in his poems in addition to his creative mind has made his works more complicated. He includes plenty of piousness and moral terms in his poems by using ahadis and the verses of Koran. Undoubtedly mastering Koran and explicating it is a key to solve the complexity of this magic poet. This article studies how he has used Koran and divine meanings in the second odes of khaqani. It should be mentioned that a brief explanation about the poet, his relationship with Koran and an introduction to the second odes are given.

The "Beshr ibn Avana" is poetry called "Beshriia ode" has been translated to Persian poetry by the contemporary Iranian poet "Mohammad Hossein Shahriar". And he has tried to communicate all aspects of the text into the target language. One of the most important aspects of the poetry is the Music lyrics that we see "Shahriar" transmitted it beautifully. This study tries to make a comparison between translation and the original text. The most important finding of this research is to show that the Music lyrics in two Persian and Arabic poetry helped poets to express thoughts in the best way, as sometimes we see that music and lyrical space suit in the best form sometimes accompanied with saga and pride.

The most important elements in music consisted of technical elements which are in collaboration with poetical experiences. Also it is an obvious allocation of embodying poetical passages because of its clear significance in producing general atmosphere of ode Therefore poets especially the contemporary poets take into consideration those specified elements. From the most beautiful musical perspectives the internal music is certain features concealed beyond the vocabularies the Sentences letters and the repetition of them for the fact that music affects the souls and has important impression in the heart. The poet of Palestinian Mahmood Darwish is the one who pays special attention to music certainly the internal music because he has realized the significance of music in poem. For the sake of this we have chosen the Ode of al- Gedaria to investigate it. Since it is displaying the internal music which is found in it. Also it is full of different categories of the internal music. Moreover, the paper provided by the Current researchers Points out the various examples and gorgeous explanation of the Ode which makes contribution if the exhibition of the Factors available in Ode. The qualitative and analytic method of investigating the data is used by the researchers in order to draw conclusions. Also al- Gedaria Ode is the reflection of sorrowfulness and pains in the hard letters in comparison with the soft letters. For us, the music is explained through the exchange of the opposite word and the production of the music between two pronounced dements which are discriminated by the pronounced words having rhyme are more emphasized and these examples are not the only indicative of the music but they are more impressive on the reason concordance of the reasoning passage.