The Late professor Jamal Gousheh was a pioneer of hand and micro-vascular surgery in Iran and a known hand surgeon in the world. He was born in Tehran in 1931. He attended primary and high school in Tehran. Before entering medical college, he worked in a glass blowing factory, and later used this art for making serum bottles during his medical school.

One of the romantic Poems of Persian Literature is mathnavi of "Jamal and Jalal" by Mohammad Nazlabad, the poet of the ninth century. Recently, University Publication Center has published this unique manuscript. This poem has several romantic, symbolic, mytic, folkloric and tri cheur motifs, yet it has not been mentioned as alluded to in manuscripts and Dr. Poornamdarian has not refored to it in his analysis of symbolic stories. This study is the first to introduce the poem. It is been concluded that the poet must be Mohammad Amin Nazlabadi who has also written Bahram and Golandam.

One of the appealing methods in traditional criticism is bio-criticism. In this type of criticism, the critic tries to revitalize the life and ideas of a poet or writer according to the indications and signs of his life and ideas traced in his works. Not only in this type of criticism the author's biography is not separated from the work itself, but also each of them can be used for the interpretation of the other.By using the ideas of prominent critics of this type of criticism such as Wilfred Gorin, David Ditches, Dr. Samuel Johnson and others, the present article tries to investigate the poem collection of the infamous poet of the 6th century, Jamal al-Dīn Esfahānī, and illuminate some of the important issues of his life by making use of certain evidences from his poems.

Seyyed Jamaluddin Asadabadi is one of the most important and influential personalities of the Islamic world in the contemporary era. The topic of this article is that in Seyyed Jamal's intellectual-cognitive sphere and the foundations of his insight, writing and action, the foundations and theological issues of what kind of philosophy, theory and method, because he was proficient and capable in Islamic sciences, such as words and words, and it is presented in the presentation to be theological issues should take the initial steps with the society and based on the requirements of time and place, and by correctly explaining the theological and religious issues, be a role-player and flow maker in solving social problems and overcoming the decline and backwardness of the Islamic society. In this research, relying on Seyyed Jamal and using the analytical descriptive method, Seyyed Jamal's method of theological foundations has been investigated. Among the findings of this research, it is understood that Seyyed Jamal saw the realm of reason in the field of correct explanation, proof of reasons and defense of Islamic religion and teachings as very broad and defines the relationship between reason and speech in two directions. It means that the intellect shows the theological issues and the science of theology complements and elevates the intellect. Overall Seyyed Jamal is more than a narrator, he is a rationalist and values reason and a high place, but he always considers the realm of reason and its description, and tries to maintain moderation in the process and from principles and frameworks it is rational. And Islamic philosophy has not violate

In this paper, based on the contemporary theory of cognitive metaphor, the metaphoric functions of Jamal (Beauty) and the clusters of images related to it, namely the world, man, face, sun, mirror, etc. in Mawlavi's lyrics are explained. In theology, the motif of conceptual metaphor of Jamal is Ro' yat (vision). Finding its way into mysticism, "vision" is expressed in the metaphor of Beauty and thus the idea is conveyed through metaphoric language. Through the analyses of beauty as a metaphor and its related images in Masnavi and Divan-e Shams, we find out that "God is visible". This metaphoric idea is evident in the depth of the structure of the works. Accordingly, Mawlavi describes the Jamal-e-Haqq (the Beauty of God) through particular metaphors, such as Hosn-e-Yousof (the Beauty of Joseph), the world, the Perfect Man, the sun and food. Using these metaphors, Mawlavi proves that God is visible. In this paper attempt is made to analyze and explain the relationship between metaphor and ideology, and also to suggest a new reading of Persian poetry, especially in regard of mystical discourses.

No doubt that in following political, social and economic changes in society’s literature changes, too. Literature of Egypt is not an exception from this rule and this problem can be seen in literature of this country after Revolution 1952 that story writers, by turning to new styles, could create new story forms. For example, it can be pointed out, abandoning creation of hero and also, number of many characters exist in a story that this problem has caused no interference of writer and imposition of his/her views and thus, making multi-vocal in a story “Gamal al-Qitani” is from writers for 1960s generation in Egypt that has created his works by inspiring heritage and his novel “al-Zainy Barakat” is a good sample to put aside old story writing style. From features of this novel is multi-vocal that has been apparent in variety of view angle and also, in different ideological views of characters and variety of novel style.

The aim of this study is to bridge a gap in the existence of Trilobites in the marine Permian successions of Iran by exploring a stratigraphic section of the Permian in Jamal Formation (Dizlu section). Based on comprehensive field studies and laboratory investigations three Trilobite specimens were identified in the study area including Pseudophillipsia (Carniphillipsia) dizluensis sp. nov., Pseudophillipsia (Carniphillipsia) sagittalis and Pseudophillipsia (Carniphillipsia) sp.. A new occurrence of trilobites collected from the Permian (Wordian) Jamal Formation at a section at Dizlu, Isfahan Province, Iran, is documented. They belong to a new species of Pseudophillipsia (Carniphillipsia), which is described herein, and can be attributed to the a group of species centered on P. (C). paffenholzi (Weber). It is based on 30 specimens from a single horizon, most of which are enrolled. Co-occurrence of Pseudophillipsia (Carniphillipsia) sp. A. and stenohalin groups such as brachiopods, bryozoans, and crinoids are indicating that this species were preferred shallow and carbonate environments. This is the first time that the existences of these specimens are reported in Dizlu section.

Jamal Ad-Din AbdorazzaghAI-Isfahani is one of the great poetsof the sixth century (A.H). Most of his poetry is devoted to the praise and encomium of the princes and dignitaries of his age. For this reason, he has been labelled a eulogistic lyricist. However, a close. examination of his numerous lamentations, composed with a view to criticizing the educational, social, and political conditions of his day, as well as a deep analysis of his odes written on wisdom and admonition, points to a characteristic world view which sets him apart from court poets totally given to panegyric. Such a world view attaches great importance to asceticism, renunciation of the world, seclusion, severence of connection with people, contentment, solitude, trust in God, and attainment of a voluntary death --all of which constitute the main ingredients of his conception of the world. Jalal ad-Din"s world views, which have traces of a mystical stance showing through it, and which closely resemble that of Nizami of Ganja (known for his ascetic and pious mysticism), can be said to have resulted from the perturbed socio-political conditions of the sixteenth century (A.H)., from his aversion to the morally objectionable state of the age in which he lived, and from his negative and rebellious reactions against the status quo.

This article aims at investigating the role of ideological literature- poetry and prose- from the point of view of scholars and the events that occurred in jamal, and saffin wars. The war occurred between The ideological party led by imam ali (pbv) and the successor of allahs messengar, Muhammad (pbv) from one side and on the other side were the promise breakers of Ghasstin, Maregheen and nakeseen, who broke this promise to imam ali (pbv) and did not stick to their alliance with him. In an analytical and narrative research, we try to express the stances taken by scholars in the wars of Jamal and Saffin. The aim is to present the role of scholars in motivating the muslims to fight, Jihad, along side imam ali (pbv). This elite group of scholars and orators were both fighting with their language Tongues and swords. Brave hearts who defended the divine succession, of imam ali (pbv) in battle fields. At the end its hoped that numerous linguistic points, including literary and figurative linguistic devices, as well as much about islamic history will be achieved.

BACKGROUND AND OBJECTIVES: One of the tools of effective reading of literary texts in order to analyze the hidden parts and discover the underlying layers of the text is to use new approaches of literary criticism. The views and opinions of Mikhail Bakhtin, the Russian theorist, are one of these approaches that largely originate from the sociology of literature. From Bakhtin"s point of view, some novels have polyphonic capacity. Such novels have a democratic space to reflect suppressed voices or even voices that conflict with the author"s ideology, which are heard parallel to the author"s voice in the story. Multi-voice allows the audience to listen to different aspects of characters, ideologies, cultures, and in other words, the voice of the times, in addition to the storyline. The purpose of this article is to analyze polyphonic elements in the novel Deraznaye Shab by Jamal Mirsadeghi based on components such as type, hybrid speech and active and passive two-tone. METHODOLOGY: This research was done in a descriptive-analytical way using library studies. FINDINGS: By examining the mentioned novel, it was found that Mirsadeghi has used almost all polyphonic components by creating the characters of his story. By using different and contradictory voices, he provides a platform for the characters to express their opinions in a fair atmosphere. CONCLUSION: The results of this research indicate that in this novel, using polyphonic components, especially antithesis and hybrid speech, we witness a forced encounter between tradition and modernity. The author depicts the confusion of the lost generation at this time through the contrasting expressions and speech. A generation that, on the one hand, has been transformed in the traditional teachings of the family and dominant culture, and on the other hand, is facing a different and glamorous world and the so-called "modernity". The result of this collision is the perfection of the first character of the novel, who steps towards the future with an active and independent discourse.