In the epics of the ancient peoples, the ideal man is manifested in the life and works of their heros, so that each one of them is a reflection of the ethical standards and values of his society. Great epic writers such as VALMIKI and Firdawsi tried to create such an ideal man. The heros of Ramayana and Shahnamah show the man in his different levels. In a survey of the characteristics of such an ideal man, his belief in God, wisdom, justice, self sufficiency, loyalty, philanthropy and prudence seem quite prominent. Though these characteristics are more or less found in both works, each quality has different manifestations according to the cultural background of its land of origin. For example, some qualities like loyalty are more prominent in Ramayana, while others like having the God given charisma are more important in Shahnamah.

BACKGROUND AND OBJECTIVES: The Ramayana (VALMIKI poem) is one of the oldest Indian epics written between the 3rd and 5th centuries BC and later restored in verse and prose. Mullah Masih Pani Petty, in the year (1050 AH) has recreated this Indian epic in order; In fact, Christ wrote this system in response to critics who considered him impure and infidel for his work in composing the system of Ram Vesita. The verses of this poem have a remarkable literary value and in composing Naat, it has become an example for many poets after him. The purpose of this study is to investigate the stylistic features of the Ramayana system. METHODOLOGY: The present study was based on the documentary method (library) and on the direct study of the Ramayana verses of the poem of Christ and related books. To conduct this research, we have extracted the stylistic, content, and epic features of the Ramayana epic, in detail and point by point, and have presented them briefly and usefully. FINDINGS: The Ramayana of Christ is a combination of Khorasanian, Iraqi and Indian styles. Inherited the epic and epic and heroic terms from the Khorasani style, the tenderness, burning and lyricism from the Iraqi style and the capture of foreign meanings and the thinness of its strange fantasies, is a relic of the Indian style, which of course the Indian Style The rest is style. CONCLUSION: This system is full of mythological foundations and beliefs and also has themes such as theoretical mysticism, superficiality, love, moral concepts and folk beliefs. Punishment and repetition in the realm of rhetoric; Metaphor, metaphor, allusion, brevity, allusion, metaphor, and metaphor are among the most prominent literary arrays used in this system. Among the linguistic features of this system is the use of grammatical and linguistic features of Khorasani style.