JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)
Year:2009 | Volume:2 | Issue:2 (4)|Papers Count:10

Adaptation of liteary work in cinema was initially of great significance. The adaptation of romance lilce works also culminated in Successful film which hit the time attracted very many audience. One of such attracteve adaptable romance – like works is Nezami s Hafpeykar. It possesses abundant pictorial elements along with attractive amvsing stories with valuable themes which enrich the story. Its structure together with its deft characterization atmosphere and Nezami s Successful stage management gaved the work many dramatic jualities making it the most attractive cinematic script.

One of the pertaining to research in Persian literature is to consider the literary person’s course of life and activities and works. Although many investigators and researchers cause increasing the information and awareness by their attempts in this field, constantly there are some failures and mistakes in these researches to be in need of amendation. As the samples of this defects and mistakes can be named the cases that has been occurred conserning one of the Qajar age literary person’s life and works named Mirza mohammad sadigh Vaqayi’nigar, and has caused defection of awarness and in some cases being mistake our information about him. In this essay we are going to offer the new information about his life, moreover, discuss and correct some available mistakes about his works and life in biographical dictionary of poets and some other books.

In this essay has been tried to explain and expose the Hafez famous line:“I will burn this ruddy colloury scrapbook that the wine seller master didnt buy it for a bit wine”.Untill now some reaserchers have launched to interpreate this line and now we precede it in another sight. In this view, ancient thoughts in relation to creation - between poetries and prosaic works- have been used. At the end the body and physical world has been understood from the form of colloury scrapbook (moragha) and the total meaning of the line demonstrated human perfction and his soar from earthy stage to selestial acme.

Sermon is one of traditional literary genres in Arabic and Persian literature. This literary genre was invented by Badio-zaman Hamedani (died in 398 of the Lunar year) employing the possibilities of Arabic language via addition and combining method and called it “Sermon”. Abolghasem Hariri (died in 516 L.) improved it into its perfect state in Arabic literature. In Arabic literature, sermon writing was not limited to prose works; through development and evolution it also appeared sometimes in poetry form. This genre was followed in Persian literature. Maintaining its principles and taking into account the requirements of Farsi language, Persian writers had some innovations in this rhetoric style. Sermons of Qazi Hamid-al-din Balkhi (died in 559 L.) are an example of sermon writing influenced by Arabic literature. In writing Golestan, which is in prose, Sa’adi, according to the conversant, followed the style of sermon writing. Moreover, by innovation and following Arab sermon writers who have turned to sermon writing in poetry due to fancy and innovation, he even prefers to try his aptitude in writing of sermons in Persian poetry. Perhaps hoping to create some literary innovations in this style, in case he succeeded in his approach and was accepted by the audience. At last, Saadi didn’t continue this method in poetry from. Due to his own preference or that of the audience of course, we know nothing about this matter. In this article we review a sample of poetic sermon, in Boustan.

Ferdowsi in his book continuously seeks the ways of acquiring good name, wisdom, justice whilst he prizes the grate human values. One of the human grate values in his perspective is the good name and reputation which is not gained only through warfare but also having characteristics such as bravery along with treasure, purple, race and wisdom. In fact these are the main characteristics of heroes in Shahname. Heroes are ranking based on these traits and they frequently dishonor each other on the lack of social base, treasure or wisdom. Wisdom and justice are the main principles in Shahname and wise heroes are always prized. Good name is versus Opprobrium and this is always a threat for good name to become Opprobrium.In this study we investigate the good name and Opprobrium according to the Ferdowsi's perspective in Shahname.

What follows is a short exploration into studying practical wisdom in Parvin Etesami's collection of poems in which her sweet discourse, full of delicate didactic points, expresses deep concerns of humanity and spiritual troubles of human life benefiting from strong and rich techniques of classic poetry, and recounts the appropriateness of her poems and correspondence between those poems and the demands of the present age.The aim of this essay is to clarify Parvin's theory concerning human being's relationship with his very self, family, and social circumstances within the scope of her beautiful comprehensive thought.

Many critics and scientists of literature beliefs that in literature chiefly poem (How to say), have more significance and notability to (what to say); they account this (how to say) as basic and pivotal of evaluation and criticism of literature. This trait in intricate literature texts, such as Tarikhe vassaf nd marzban nama, reach to its culmination; sometimes in this books simple speeches has so complex and intricate express that each reader in start of word for comprehension of this terms, catch to ambiguity and skepticism.One of this intensifies is the category of twirling with external structure words and syntax by evoking readers to anagram them. Like this models is Qalbolmejan in huge marzban nama that In This essay we are trying to explain this structure.

Hezar-o Yek Shab is a valuable source for anthropological, social & literal studies about the East and since Hezar-o Yek Shab is placed in fictional & folk literature.Woman is the most central subject of Hezar-o Yek Shab, because Hezar-o Yek Shab is the only book whose story-teller is a woman and also beginning of the story begins with pessimism about woman, so it is no doubt that illustrating women personality in such condition has been done with high intelligence.

Rereading of Rodaki’s poems will be effective step in acquaintance with invisible (hidden) layers of this great Persian poet’s thoughts. Trying in recognizing old belief of religious of his poetical words that verify mastery and with very fluent expression in pleasant couplets from will help us obtain more knowledge from faithfullenty of poet’s time society the means of old belief is those of ideas which settle without any changing or with little difference affected by Islam religion in his time.These ideas are divided in to two parts: supernatural and natural. The first part would include of saints and divine messengers, divine books and hily religion remembering and in the other part will examine divine times and places and religious be haviours.In this paper we have considered in to sharing point of some in question ideas between other people and nations.

Iranian has always loved the shite Imams. Such love will never stop flaring. Whenever and wherever possible it will reveal it self with the extremest power. Thus considering the different elements of Iranian life you can easily notice the footprints of such sentiment. Among all shite Imams, Imam Reza is specially dear to Iranian since he has been the guest of our land for more than a thousand years and is considered our holy shelter the hustle and bustle of daily life. People share their glooms and sorrows with him whenever they are given the opportunity to visit his holy shrine. This strong belief is reflected in Iranian art and literature too. This article is an attempt to express such truth from the early days of Persian poems until Jami period.