Journal of the Stylistic of Persian Poem and Prose
Year:2012 | Volume:5 | Issue:3 (17)|Papers Count:21

Hafez Shirazi’s professional reputation as a mystic poet who lived in the eighth century (L.H,) is not a secret. Shah Neematolahe Vali Kermani considered as a contemporary mystic poet of Hafez Shirazi. The common point of both poets, their tendency to mystical literature and much attention has been paid to roguish concept as one of the main Branchesof Sufism,. However, the fact that the roguish in Hafez's poem on shah neematolahe vali's faced with more and more interest and has been paid attention to audiences, it brings to mind the questions of why Hafez Shirazi'sroguishhas earned more reputation than his concurrent poet and Why Shah neematolahe Vali'sroguishis less than his paid attention ? to get above mentioned questions answered, we considered the poems of these two poets –as comparative- in existing roguish themes in them and finally perceived that Hafez was aware very well that the more Drawing of real roguish in his poem, the wider range of Audiences will be focused about. somysterious matter of the roguish could well be felt inHafez's poetry. But in poetry of shah Neematolah so not, because it is the interpretations and explanations about the features of Shahneematolah'sroguish, this could be the case that Shahneematolahgives about his roguish features and this can be a main matter which causes Shahneematolah'sroguish to be less Reputedon his concurrent poet, Hafez.

In this article, style features of book «Parishan» are examined in three levels such as lingual, literary and thought. QAANY uses the language of Arabic moderate words and compounds of which (21%), but the use of vocabulary and syntactic ancient structures has caused of heterogeneous language. In the work The composition and invention and being influenced of public speaking is not illustrated vividly, and frequently obscene and vulgar words are abundant. The main syntactic feature of the work Is application of adjectival mood and removal of verb in verbal analogy.On the literary level using verbal exquisites such as pun, rhyme, conjugation, almzdvj guarantee, Trsy and balance and among the non-verbal exquisites, conflicting and contrasting, allusions and symmetryis abundant. There are Verses, hadith and analogy statement too. Application of simile is frequently described and in the most similes, the both straddles is kind of sensible to sensible and in singular and combination form they are limited to Compound or compound to compound..in the intellectual level non- commitment to ethics and morals, and the distress in Tbvyb, pretending to be mystic, determinism, double extremes are important features of this work.

Shamsodin Mohammad Hafez Shirazi is one of Iranian poets whose familiarity with music has led to the point that his poem becomes the most musical Persian poems by which has been paid attention via musicians and lyricists. it seems that in Hafez's poem there is a close link between specific vowels and consonants and application of concepts and meanings associated with the word is emotionally fit. Examination of the textual linguistic features, is one of the cases is paid attention while stylistic literary work is conducted. These features also are analyzed in three levels: phonetic, lexical and syntactic.in this paper given the diverse emotional range of Hafez's poems it is Attempted to examine his poems from the perspective of Morris Gramven's views, the famous French linguist,The big question in this article is what fit exists, based on the views of Gramvn, between Hafez poetry musical elements with concepts and meanings presented in the poems of this prominent Persian lyricalpoet.

Poets and speakers to fulfill their purpose in spite of Brevity, use the concepts and terminology to offer their words to the reader more artistically and rhythmically.These terms which are metaphors about the belovedin relation to position, will appear in the words of poet.To get Implications of the poet, knowing the interpretations of the role and structure is required. So we are to consider, in the paper in Amir Khosro Dehlavi's Khamseh, metaphorical interpretations that represent the beloved and the lover in terms of its structure, in the words of the poet and of the properties of style, especially in the Iraqi one. and to reach the conclusion that the India Persian poet with a specific art, has been able to benefit these speech brides to demonstrate showcase beautiful scenes, and gifted a word tantamount to Nezami’s as souvenir.

symmetry lyricist of Timurid era, mimicking of «NEZAMI'S KHAMSE and FERDOWSI’S SHAHNAME Abdolah Hatefi as a famous figure, has composed four couplet-poems; These Like most of the ninth century works enjoy the linguistic features of the so-called" stylistic –double character, ".set alone "borrowed and mimicking characters ", "true character" of their linguistic and stylistic features show all of his era, such as: content creation, informal or slang literature, parables, popular culture and the Turkish and Mongolian words, thoughts and spread of Shiite thoughts which suggests emerging the next style (Hindi).using motifs like: the word "spectacle" and the exquisite and unique images that reflect new views, along with rare words like "Kybor", "cat" and "Ghoronbosh"... has invigorated The value of the works in literary and word.This paper reviews and analyzes them in terms of HatefiVtqsym in three dimensions, "dark", "gray" and "bright”, and tries, pointing to some shortcomings, to deal with literary, lexical and stylistic saliencies.

The verbosity along with brevity and equality, one of the three modes of expression that is mentioned in the semantics. As we know, this way of expression has two kinds of art and mammal. Unlike verbosity Mml or boring verbosity (which reduces the value of a literary work) in the verbiage is the most important and effective techniques that poets through which gives his works a literary and poeticappearance.One of the works that are used in more or lessverbosityis hakim Nezami Ganjavi’s Makhzan Ol asrar. However, given the studies must be said, though in the verbiage of this system Mml - seen in the meaning of recurring themes - it can find an address; but definitely the artistic verbosity that most companies techniques such as metaphor, repetition and the description has higher frequency of application.Thus in this article we consider this perspective to analyze one of the most important indicators of Nezami’sstyle to demonstrate the rate of this Persian great poet in this field.

Sadegh Hedayat is one of writers and researchers who welcomed to commons culture scientifically and precisely. what is more to research in folklore, he has used these elements in his novels and shown a bright picture from his own country’s culture and norms.no application of the elements is appeared among his contemporary writers (but Jamalzadehin “yekiboudyekinaboud’’ (=one exists but other) and his other novels) and it can be said Hedayat was one of the first writers who used them in his novels and this is somehow Hedayat’s personal style. The article attempts to consider folklore elements applied in Hedayat’s novels and how to use them as character of his style.

Literature in relation to its social environment and interaction is two-way. Sometimes effective and sometimes have been passive and static against social movements,. Iran has one of the most turbulent periods in the sixth century. The time when Samanidrenascence had been expired and Iranian noble tribes collapsed and turk slavers of Saljoqcourt and culture deviator non-civilized groups with unity of Baghdad caliphs along with religious holiness and sanctity dominated over our destiny and aggression and injustice, corruption challenges were their gifts. in the article general conditions of poem and poetry were considered in 6 century and it has been shown that this cultural and social discretion how faded out our poets’ intelligence and led them to extremes, instability, personality quirk, not cohesive intellectual, anti-reason, imitation and intellectual rigor, and submission and determinism, flatter and flatter, the trend of court literature and propaganda of government agencies and ignorance.... thus, kind of content and pathology criticism was undertaken in the poetry of sixth century.

Amin Faghiri among contemporary authors is precise and painstaking writer, His writing style experiments result from different periods of his life in the town and village. Simple, realistic and honest visual style and language in stories and novels, makes his readers understand the experience of gaining new spaces, spaces full of previous cultural elements that reinforced by cultural language learned in the past, Amin Faghiri’s school is realistic in his novels and what is more he has used a special style for writing. in the research we try to consider his writing style, given the underlying text of novels ‘’dancers’’, ‘’mounts leopards’, “winter behind the window”.

One of the reasons of effectiveness and elegance of Saadi's work in golestan is caused by existing satire in it which is composed in different purposes and with various techniques. In this regard, Rhetoric application is one of methods which causes saliency of satire in Golestan. in the reaserch after statement of definition, objective and benefit of satire, its breif history has been applied in persian literature. then the applied satire in golestan was analised. how Saadi uses different rhetorical exquisites, especially imagery and expression technique, is the main pivot of the work which in this regard the attended examples of Golestan – which were more salient in being satire – and rhetoric and literary exquisit were analised that had more effect on their creation. and finally after a chart which shows the application of different rhetorical imageries, saadi's objective of using the litrary and rhetorical to create satire has been pointed.

Azarbayejan style poets, In addition to the important role they had in the style transformation and emergence of novel style coordinates, set forth their opinions and viewpoints pertaining to poetry and poem and even literary criticism among their own literary works. This article is embarked to consider and set forth these viewpoints.

education in the frame of one field or a knowledge of human perceptions possess a powerful rational –intellectual back up. Persian literature in the mold of durable works including poem and prose has paid attention to the education as far as a branch of literature is named didactic literature. didactic literature contains a lot of texts but in this article is an attempt to focus on the limited works, better analysis performed on the content, thus four didactic prose works in Persian (Ghabousnameh, Akhlaghe Naseri, Klileh & Demneh and MarzbanNameh) selected and the reflection of didactic components has been explored as analytic– descriptive. This article contains the educational messages of progenitors for present generation.

Farokhi Yazdi as one of rare writers and poets in the constitutional period, different from the secular movement is a religion intellectual and respects to the religion and has applied religious intellectual and ideological foundation in his poems and used them in his lyrics and the themes of consciousness and awaken the society of anti-oppression and social justice objectives. this mental feature shows that he wants to mention that the religion is less paid attention via recent century literature.

exploring the development of prose that reflects the backgrounds of its social, historical and personal evolution and science of writers and literature, can be beneficial. But research also has some difficulties and ruggedness. First, we have in the past written works, all is not what it has been there and the induction of our study was not inductive reasoning. Second, in some courses, one hundred and fifty to two hundred authors exist, each has various works described in this article is beyond it. Third, in each period, different topics - more or less - in prose exist. However, in some courses, a subject has taken special attention which should examine their motivation that can be non-verbal and non-literary,. As the era of Mongol and Timurid, historians specially were paid attention, or in the Safavid era ritual books were prevailing. But with all these difficulties, could not overlook at the remains of the ancient prose or prose stopped past and contemporary,. Then Writter tried to explore transformation of the prose texts based on the life and influential approach and to classify each period books thematically, with tables and charts, to consider statistically.

Majdedin Hamgare Shirazi (607 - 686 AH), is the famous poet of the seventh century AH. He was the court poet in Fars Atabakan after the collapse of Solghorian, he spent some time in the eulogy service in Kerman Gharakhtaiyan and finally joined the Jovinifamily after the demise of them died alone. His poetry collection contains 6201 distiches and including elegies, lyrics, composite-tie, quatrains.The main question of this study: what is the status and role of Majde Hamgarin the changes of 10th century style and in which common styles of Persian poetry divisions his poetry takes place. To answer these questions, the kind Tyynknnd Majdeh Hamgar Poetry Literary indicator which Highlights his personal style, selected to review topics such as imagination, speech figures, poetic formats and style of Majde Hamgarare analyzed. In general, the answer to the research question, it can suppose that Hmgr period style is continuation of Seljukseventh century style. and aspects of his poetry in Persian poetry, such as sonnets and quatrains has been influential in developing Persian poem. Seljuk style, is inter-Iraqi and Khorasani style that either in Seljuk and after the collapse of the feudal had been paid attention by eulogists.

«Golshan Maani» lyrics of «Sheikh Mohammad Kazerouni» pen named as «Izadi» lived in thirteenth century H.C. Applied frequency of poem formats in this collection (couplet-poems, elegy, sonnets, anecdotes, analogies, and...» show special attention to the poet's sonnet form.archaism is the use of music in order to create harmony and coordination between words, order and sequence context of the repeated words and phrases, the use of Arabic words, verbs and specific constraints, pronoun reap and... are Characteristics of his poems.To take full advantage of all features except the virtual and metaphorical words, because of de-familiarization of the language and conversion of ordinary and normal language to influential artistic expression, provides the opportunity with audience to reflect and scrutinize freshly.Lyrical motifs of «Izadi» especially in the religious tenets of the findings contained eulogy with mystical frames which has found a special position.

Due to the opacity of the phrase "Iraq path" including musical meaning and that of Iraq way and path and tragic function of Iraqi's position in music, "Iraq path" with some meanings has entered into the lyrics of Hafez. researchers have pointed to the multiple Opacity of interpretation of "Iraq path" in Hafez's poems but have neglected from the ironic sense. According to the structure and meaning of grief and mourning in a lyrical phrase of "Iraq path" and with reference to historians about the famous cemetery on Iraq gate, "Iraqi path" is symbolic of the cemetery. This clarifies the meaning of ironic that the phrase "Iraqi lyric" in the poetry of Hafiz is an elegy lyric and tragic poetry, not Iraqi style or Fakhruddin Ebrahim's poem.

Moslehedin Saadi Shirazi’s lyrics are beyond the romantic notions, and the leading carriers in the mystical world that appearance of some concepts should be found in terms of specific and widely used of his lyrics. one of those words whose frequency is noticeable in Saadi’s lyrics is" water ". This word, along with other terms such as fire, drought, glassware, indulging, side... as well in the sense of Tearin confronting with fire has become a symbol, is one of the intriguing features of Saadi personal style. word ‘’water’’ for which along with other words is considered has ascended Saadi’s lyrics from earth love in the material world and portray the real and exalted love in the mysterious world.. Arrays such as opacity, contrast, emotion, metaphor, allegory, metaphor, singular and composite similes for the illustration of the implications of the words that are hidden in the contrast between water and fire, and water and thirst, picture the most mystical meanings. Because the article shows that "water" and in contrast with thirsty, beloved icon, a symbol of love and fire, in contrast to the water is a symbol of love. Given the sqayt of saadi, This article is in view of Saadiin the Orders of Chivalry and the special status of "water" in his lyrics, the analysis of the common word and the words related to that we can get to the concepts behind the word "water" and the symbolic meaning As a personal style that features the lyrics Saadi.

In the tenth century AH, between the Timurid era and genre poetry, Hindi, was created a new and middle style in Persian lyricscalled Occurencestyle, the poetry of this style, is love moods of lover and beloved and details of land love actually reflected being expressed simply. MeiliMashhadi, poet of the tenth century L C. The main question at present is whether MeiliMashhadiisevent lyricist or symptoms and characteristics of this style can be seen in his poetry? we find the answer of the question in this study, because all attributes and symbols of this style, exemplified in many lyrics of MeiliMashhadi,. Such as simple languageof poet, earthlove, romance details, lack of literary array, poetic imagery, themes abundance and the motifs proportion to the land love and … prove eventstyle of MeiliMashhadi.

This paper introduces Abaskhan Afshar pen named as «Parishan», his works and the way he deals with the poem, which no attempt has been conducted in the context of his poetic style. Abaskhan Afshar (Parishan) is the Persian poet of Zanjan province during Qajar–NaseredinShah –and the mostimportant of his «Jahan shah Nameh» is the latest historical epic of the Persian language, which isrepresentative of the social situation in Iran in Time of poet's life.This paper has attempted to introduce briefly the circumstances and works of «Parishan» including Jahan shah Nameh, poetical works, Faraghnameh and some of his poems to make familiar Iranian literary with poems which are unknown sample of poems remaining of literary renaissance in constitutionalera.

In Most of world literary, including lyrical, dramatic and epic literature natural women have played different roles. Today, world scientists believe that they should break down unilateral approaches border sand through comparison provide suitable bed to find detailed recognition criteria for familiar works. Thus, it is evident that the role of women in comparative literature could best express the attitude to women in different cultures and the importance of her presence in individual, familial, social, and political grounds.This paper describes the women in both German and Iranian epics –Shahnameh and Nyblongen. To this end, after presenting a concise summary of the epic Nyblvngncompares the structure of both works and tries to analyze the effect of two different representations of the female character as mother, wife, warrior, and being noblewoman. In this regard, the similarities and differences and the role of women in two following examples are suggested. For more clarification of contents, diagrams are provided to help the reader can have a glimpse of the above description.