Journal of the Stylistic of Persian Poem and Prose
Year:2017 | Volume:10 | Issue:2 (37)|Papers Count:16

Mohammad Amin, the poet of Sunni school of thought, was born in Balkh in the first half of thirteenth century. His only remaining work is ‘The Complete Poetry’ in the form of a manuscript consisting of lyrics, odes, quintets, quatrains, refrains and couplets. He is indebted to Hafez and Saadi in lyric while in couplet he follows Nezami. He has structural innovations in his poetry and is unrivaled among his contemporaries in the creation of new phrases and terms. While composing his lyrics and couplet poems in special language of poetry, he was also interested in using the common language of the people. He composed poetry in Turkish too, that is likely his mother tongue. This article attempts to analyze the striking and weak points of Muhammad Amin’s poetry by examining his innovations and poetic characteristics. Resultantly, the Persian language has a quality of coining new phrases and apprehending this meaning, the poet created poetic and self-evident phrases.

Dissidence (Mokhalef Khani) is to disagree and express words and sentences to show dissatisfaction. If dissidence is rooted in political and social anomalies, in this case, “dissident” will be someone who assumes the role of combating social injustice and corruption, particularly among the powerful groups in society and criticizes the situation in his own time using the means at his disposal. Poets of Iraqi Style, in Seventh and eighth century AH, is among the dissident poets, who criticized many important classes of society, especially hypocritical and false religious pretenders, who were mostly inclined to corruption. The use of grammatical measures in lingual area is one of the innovative techniques of dissidence in Poets of Iraqi Style’s poetry, which has been considered due to his mastery over the language facilities. The purpose of this study is the investigation and analysis of the grammatical role of “adverbs” in social dissidence of poets of Iraqi Style. This study was done using descriptive analytical methodology. The results of this study show that Hafiz has used different adverbs of time, place, manner, quantity, emphasis, and adverbial object of preposition and has managed to demonstrate on

This paper, based on the most direct documents that reveals Rumi’s relationship, addresses the social dimensions of Rumi’s character in sihletters. To achieve this goal, we have reviewed Rumi s letters in three categories: subject, audience and intermediaries, and we have answered these questions:1. Can we understand the relationship of power in Rumi’s time during the Rumi s letters? 2. What was the Rumi’s relationship with his family and famous people of his time? 3. What’s the main subject of Rumi’s letters? 4. Who are the Rumi’s audiences, and who is the most contact with Rumi? 5. What are the concerns of Rumi in his letters and what are the steps to reach the goal? 6. Can we understand the social and political situation of Rumi’s Time during the letters? In 150 letters, Rumi’s wrote to about 34 people. And The most Of these letters wrote to Moeennauddin Parvaneh, Fakhredin Sahebatta, Kikavos and Tajeddin Mo’taz. The subject of these letters are classified in 20 categories, and the most of them are written to friends, relatives and family members (59 letters). Most letters were written about Nizmuddin – Hessameddin’s son in low (and Salah al-Din), Hessameddin and Sadr al-Din,Hessameddin’s son.

When We review any Text, All we have are words and language. When we study about Mysticism, We couldn’t have any experience about Mystic’s real experience. All we have and all we could research about are manifestations of this experience. In This letter we addressed the discourse of some advertiser of mysticism. Mysticism is an organization that always have some relationships with power, and for or against with it. It also have exclusive Ideological expressions, special objects, and special culture; And it also tried to learn some part of it’s ideas to learners and seekers. In this paper we tried to answer these questions basis of some influential mystical texts:1. the view that governs the totality of each text, how influence on linguistic or non-linguistic choices.2. Is Ideology reflected straight or implied on every single item we examined?3. Is every Text content basis on freely thinking and creative imagination or depend on public thinking and beliefs?4. How these selected texts reinforce or stabilize Ideology structure and how they broke structure?

As if there is direct relationship between structure of metaphor, poet mentality and her attitudes toward lif, study of existent metaphors in poet literature, is one of the ways to acheve her attitudes toward life. In recent linguistic study metaphors are representatives of cultural, geographical, historical and emotion of the author. Parvin Eatesami among the contemporary poet women, although had veses in womens right patronage, preserving reverence, importance of woman and protecting women, girls and mothers, it seems that with her restrict traditional view, Parvin was not successful enough to propound womens right based on their needs. The purpose of this study with respect to conceptual metaphor, is that to apprehend the metaphorical expressions of women in Parvin poem. The author attempts ti distinct intellectual basis of the poet with respect to women and also her attitude toward her emotional, cultural, social, political and literary experiences. It seems that the poet by electing metaphor, specifies her traditional viewpoint, concentrate and highliting on some concepts and ???????

Rhyme is a Musical Trop Exclusive to Verse and Poetry. It has a Singnificant Function in Coordinating The Rhythm and Music in Versification of a Piece of Poetry. Farid du-din Attar’s The conference of The Bird Ranks First in The List of Persian Verse Narrations and Couplets. The Researcher of This Article Believes That in his The Conference of The Birds Farid du-din Attar Proves to be The Master of Couplet-Composers in giving Sense to Poetry as Well as Creating The Poetic Diction With Respect To its Music and Literariness. The Writer here is to Prove his Belief.

Minimalism is an art style that purports its works to be based on simplicity of expressions and themes devoid of complexities or with philosophical undertones. The authors of this school believe that economy of expressions and brevity add to the beauty of learning and make the power of speech more effective. Although the West is considered as the original home of minimalism narrative, but in the literary annals of the East, particularly in Iran, it is not a new phenomenon. Since the advent of literature in Iran, it has been coexisting there and the most glaring examples of it may be profusely found in the Classical Iranian literature both at the levels of children and adolescent literature and the literature of the grownups. This study aims to review the children and adolescent literature on the theories of minimal school. The findings of the study show that keeping the limited cognitive ability of the children in view; minimal version is the appropriate way to teach didactic literature to the children and the adolescents. Lengthy speech is not suitable for them and it does not boost their spirit and on the contrary reduce the aspects of learning-teaching process. So the children literature of Iran has made use of the “brevity” for imparting many educational themes.

In this paper, Reza-Qoli Khan Hedayat’s lyric poems are analyzed by stylistic approach .The Considered framework in this study is investigation of literary work in three levels of Intellectual, lingual and literal in descriptive method. According to these factors, each of these three levels is also divided into subsets. Love and the description of lover and beloved characteristics, condemning of asceticism and the fight against hypocrisy, and mystical topics are three prevailing concepts in the poet’s intellectual level which are mainly derived from the same style of Iraqi and Khorasani style. however, we can see the reflection of Voque and Vasokht styles in his lyric poems. Language is studied by various verbal areas and musical aspects. It shows simile, metaphor, and irony in literature level of the lyric poems. The metaphor of the most frequent literary coordinates lyrics guidance And has allowed the lowest frequency.

Persian ode until the end of 6th century forsook its flourishing brilliant period and paved its fall from 7th century on, and took distance from its standards and genuine structure/composition; however during constitutional period, revived again with its genuine structure. The subject of this article covers the “stylistics of Shahryar Ode.” This can be said, though Shahryar has been the pioneer of many of the Persian poetry traditions; but he did not follow those classic traditions in Ode and his ode are mostly soft and lyrical. Although, some of his odes such as his ancients odes, are powerful and full of strength; even then, his main shout does not include Ode. This is the question that the odes of Shahryar cover which type of structure/composition and attributes that differentiate him from his contemporary and old ode composers. For this objective, 40 odes of Shahryar were examined from different aspects, outer music, expression, exquisite etc … and we have discussed important and outstanding points in it and covered imaginary pictures which were stereotyped and imitation and also discussed the imaginary pictures which were the results of his particular outlook and have presented the reflecting way of new and old phenomena in his odes.

Sunrise and sunset have always had a prominent role in creating poetic imagery. The present study aims to investigate the images related to sunrise and sunset in Amir Khosro Dehlavi’s Khamse and give the readers an account of the poet’s success in representing various dimensions and effects of these images especially the appropriateness of the images to the anecdotes. The study is done in a descriptive-analytic way and the corpus of the study includes Amir Khosro Dehlavi’s Khamse. A review of the statistics shows that the poet has created 45 images related to sunrise and 37 images related to sunset in these five collections among which Matla-ol Anvar Masnavi contained 2 images which was the lowest number of images and Hasht Behesht had 40 images which was the highest. The results from the current research indicate that decorum among words and phrases, brevity, and appropriateness of sunrise and sunset images to anecdotes can be considered as the most prominent features of poetic images in Amir Khosro Dehlavi’s Khamse.

Nezami is considered as one of the greatest lyric poets that not only in writing romances, but also he has shown a great skill in lyricism with Iraqi style. however, scant attention has been paid to them. He has dealt with describing love in his sonnets for his readers using some features of Iraqi style and he has expressed the struggle between love and reason very well. That is the main characteristics of khorasani stlyle and it could be said that he has amalgamated Khorasani and Iraqi style in his sonnets. In Nezami’s lyric content, earthly love is manifested more. He pays great importance to physical description of the beloved and starts to praise and compliment his beloved by bringing some descriptions. In addition, he explained the characteristics of lovers and beloved in his lyric completely that we have explained in the literature using evidence of some verses. In this study by using reliable sources, library and using descriptive analysis we have identified signs of love in Nezami’s lyrics and we have included its manifestations of description in the form of ethical lover and beloved for the readers in this study.

Concrete verse is a kind of poem which transfers some part of meaning and concept to the addressee with emphasis on visual signs. The aim of this research is to analyses methods of creating of visual signs n contemporary poems which studies poems of Shahroodi, Saffarzade, Mehrdad Falah and Afshin Shahroodi. According to the findings, concrete verse is divided into general types: The first is concrete verse relying on words which usually have writing abnormality and it can be said major part of concrete verse before revolution is of this kind. Another is concrete verse relying on outer context material such as picture, portrait and pattern which can be seen in the in the concrete verse of 1370s and in particularistic view concrete verse has other types which by relying on these tricks are formed: breaking and making distinct parts of word, repetition of letters and phrases, using number and punctuations as visual signs and organizing to the whole of writing to create a picture, using graphic software to ordering form of the poem, using photo and picture n poem and using design to create visual signs according to findings it can be concluded that in contemporary concrete verse mostly breaking and making distinct parts of words method is used.

The relationship between literature and society has always been a strong and unbroken. Literary works in any form, they are like a mirror of society and current issues in the corner twist the day it opened. The novel as one of the most popular literary genres, stems largely from social reality. Iranian novels from inception has always been influenced by the community circumstances. Analysis of social themes in his ten novels of the decade of 1370 and 1380, the aim of this paper was. The research is descriptive analytic methodology and data have been using the method of content analysis. The findings suggest that novel as one of the most complete literary genres is able to respond positively to sociological research.

Achieving these long and deep thoughts was of interest to researchers of Persian literature from the beginning. That is why different commentaries are written about it. But some of these commentaries have remained anonymous and hidden in the corner of libraries. The commentaries known as Ahmad Romi has written about forty eight years after the death of Rumi. Kamal al-Din Hussein bin Hassan kharazmi then as the first verse as counts. Subsequently, another important commentaries written, each of which is important One of these commentaries. which has not been published is written by Mostafa Ben Shaaban Sorouri, one of the scientists of the ninth and tenth century. The authors of this study want to discuss, in addition to introducing a version of the author, its structure in terms of style and compare this commentary with other commentaries of Masnavi.

Sa’di has been given the sobriquets of ‘The Most Eloquent Orator’ and ‘Speech Master’, and his speech has been considered as the supreme in stance of seemingly easy but impossible, challenging or daunting (i.e., Sahl-e-Momtane’). Many subtleties and mysteries in his speech style have made him worthy of these titles, including the art of dialogue and debate. His repartee and scrutatority in ghazals have created lines most of them are an instance of seemingly easy but impossible, challenging or daunting speech (i.e., Sahl-e-Momtane’). In the present study, certain lines were selected from Sa’di’s ghazalsin order to analyze, which represent two different views in terms of dialogue among two or more in dividuals and interior monologue. The selected samples are often Vu’qūyīēand have the capability to be analyzed in terms of content, form (language and rhetoric) and inter locutors. The dominant theme of these lines are the Sa’di’s defense of love and aesthetics in the form of humor or argument. In these samples, the poethave employed various literary and linguistic techniques to create humor, brevity, symmetry and artistic confrontations.

By reflecting the Persian sonnet and analyze of the amaging elements of such figures, we have notice which whatever helps to lyrics and development of the amagery have been considered. War tools and like such archery as the elements of language. Have a prominent function in figure of Persian sonnets. Although such amagery elements. By the cause of function that are describing army slaves face and the mood and that attribute of amagerys. By the step of literature and had keep on (continue) their ways in the Persian sonnet. But their function in such special cases isn’t been stoped, and has function in the other amagery field .Rumi in the contract of the other interior poets has a new and creative thoughts to such poems. How and which qualities are, though Rumi’s special thought to archery war tools in the amagery fields and his creative was doing by Which style are the question that this investigation are trying to answer making timeless ties among emotional abstraction and such elements and finding capacities and amagery’s new capacities in this war tools doing Rumi’s innovation and her special idea unique and special paint that Rumi takes to the pictures of his own poems (like other element (fields), in additional to develop ment of verbal rheotoric field, prominents his speech style.