Thomas Pynchon, Don DeLillo, Jack Martin, and William Gibsonrepresentatively demonstrate the transformation of phases of hyper-reality, termed by the French philosopher Jean Baudrillard, in the last decades ofAmerican literature, lifestyle, and politics controlled by mass media. Accordingto Baudrillard, American values are hyper-real. The present research aims acritical inspection of the objectives of these novelists and its repercussion onIslamic World and its political life. It also tends to discern how the media from1960's up to the present time – from printed media means such as postal letters(1960's) to tele-visualized life (1980's), and subsequently to cyberspace andvirtual reality at present time – have contributed to the propagation of hyperrealityin Islamic World. Being incapable to distinguish reality from simulacra, people take simulation and trends of hyper-reality as real. Mirroring the cultureof the America at present, the literature of the period reflects the simulated lifeof characters, their illusionary, televisual, consumerized, and cyber-spaciouslives, of which the present paper duly compares with their counterparts inIslamic World. The media entertain, instruct, educate, and pervert us, ceaselessly. Among two examples discussed in this research include theemergence of the Telegram in Iran as a Western media and its effects on Iran’ scultural shaping which duly leads to political shaping; and the other one isdiscussing the issue of the Persian Gulf War especially according toBaudrillard's book The [Persian] Gulf War Did Not Take Place.