DIHKHUDA (ANALYSIS AND INTERPRETATION OF TEXTS IN PERSIAN LANGUAGE AND LITERATURE)
Year:2019 | Volume:11 | Issue:41 |Papers Count:9

Paying due attention to poem's musical elements (such as rhythm, rhyme, Radif) helps the reader to perceive the meaning as well as poet's feelings better. Specially, it is the case for rhyme which is the most important manifestation of music accompanying the poem and it plays a significant role in transfer of the meaning. Investigating such poetic elements not only helps to better make sense of the poem, but also evaluates poet's strength in writing poems. Iqbal Lahouri, a famous Iranian poet, has used rhyme as any other Iranian poets as an instrument to express his emotions and his desired meaning and this study attempts to investigate the musical role of the rhyme by applying an analytical-descriptive approach and by relying upon poems within Iqbal Lahouri's Javid Nama. Strong and various structures of the rhyme, the impact of rhyming letter's resonance in compensation of metre limitations, the expression of the poet's desired emotion, phonetic consistency of verse components with rhyme letters as well as Iqbal's use of imagery devices and creation of artistic rhymes have been evaluated in this study as the main reasons for Javid Nama's poems ear-catching rhymes.

Imagination and symbolism are tools that mythology language and mystic language choose for expressing their fundamental teachings. The concept of hell is one of the universal topics that mythology and mysticism have attention to this. Terrible images that has presented from this evil and dark place in the mythology, expresses human’ s depth of thought and world review in old ages and shows the man’ s deep religious and moral needs. The hell-this valley of fire and eternal of the spirit’ s fearful metamorphosis-has described in most texts with the words are related to material. The hell’ s fire punishes evils and from another dimension, is a passage way for the ascent of the soul and the soul attains perfection with symbolic passage from fiery hell in its evolution. Also from a mystical view, the allegorical of hell is a point to degrees of separation and neglect from manifestations of God and to be cover sensual veil. If we die out the fire of internal hell, we can travel the path to perfection in a heavenly relaxation. With a look to the process of human’ s insight to the hell’ s concepts and its teachings, from the mythology world to mysticism’ s arena, causes the extent of vision and a deeper understanding of different dimension of the adventure.

The great and prominent personality of Ali(p. b. u. h) is in such a way that attract every body and in the history always the writers and poets write about his personality. Like Molana Mohammad IbnHesamKHosefi is the poet of Nineth century. He was the first religious epic poet of Persian literature and is from the first poets that Shiiethinkingtrain in it’ spoem. The big personality of Ali makes him to say beautiful and mot lines. PhillippHamon. French semiotician, thinks the personality as a symbolic element and develops the theoricsemiotic, basic of personality. In this research wich done on the descriptiue-analytic way, tries to study that Ali’ s personality in Khavaran-Name based on thesemioticstheori-cpersonality of Philipp Hamonthat knows the personality a conceptual semiotics and a complete sot of thought and features. Hamon knows the personality a sing that constitute of DALL (name, syntactic status and the rhetoric type) and Referent (characteristics, the speech Act and Behavioral Act). Generally, by studing the personality semiotics we can realizthe characteristics and features of deep-internal layers of people and this sets of behaviors puts as a pattern for ourself. The results of this research stating that the speech Acts, shows two levels of Imam Ali’ s personality. In the saying with people he traced back a needless and powerfulpersonality wich has fear of anybody and anything, but in the words that done with God. He pictures as a person that needs is incapable that needs to Gods to do his jobs. His behavioral acts include different acts. Like war, killing, save and soon that the abundant frequency of the actsshowsthe greatstatus of Imam Ali in the story and that he’ s move a person wich involved war with enemies and killing them to defend thereligion and muslims. Names and the used tittle for this Imam like; Ali, Heidar and Qashamsham all has a compatibility with the characters and acts of his personality and his names title indicate to all of the qualities that he shows in the story.

Pessimism towards the world and its structures has always been a topical issue during human history. But the approaches to probe it have led to a formal school of thought called nihilism and this has been one of the outputs of modernism reflected in poems composed by Persian and Arab poets along with the works of the philosophers and scholars in the field. Since one of the best approaches to identify an issue is to compare it with a parallel and same level sample, the present study has tried to probe the issue using a descriptive-analytic method to discuss about the elements and constituents of nihilism in the works of Sadegh Hedayat and Zakaria Tamer as two pioneering writers in modern story writing in Iran and Syria who tended towards nihilism to recognize some of the problems repeated in this school of thought and to investigate about the factors that led these two authors towards nihilist thoughts. Findings showed that although Hedayat and Tamer belonged to two different cultures and societies, nihilism, disappointment, pessimism towards the individuals and the society, thinking of death and introverted thoughts have dominated thoughts of both authors and being informed about the thoughts of western scholars, local dominance and tyranny have been among the common and effective factors that caused both authors to tend towards nihilism.

Contrasts that appear on both lexical and semantic levels, one of the most important issues in the field of educational literature. Contrasts that appear on both lexical and semantic levels. It allows the creator of the educational effect to create a comparative space, provide backgrounds to enhance audience understanding and add to the moral aspects of the effect. Among Persian language poem, Rumi relying on lexical and semantic opposites, explaining the main ideas and mystical thoughts we have in our forum and in our conferences and has succeeded in creating an ethical / anti-moral bi-polar rule. In this article, the poems used in these two prose works, Based on the theory of bipartite contrasts and descriptive-analytic methods. The results of the research show that Mowlana, according to his audience, which has often been among low-class people, has used lexical lexical counterbalances; Because it does not require much skill and knowledge to understand it. He is at this level the contrast between the World / This World; Essence / Width; Purity / Hypocrisy; Selfishness; Alert-ness / Negligence; Self-renewal / Self-esteem; Flexibility / Intolerance. Moreover, Mowlana is in the realm of semantic contradictions such as: Good Deeds / Bad Deeds; Science and Rationale / Ignorance and Irrationality; Trust in God and his Guiding / Lack of Faith in God and his Guidance; the rest of the house / Mortals; Judgments / Oppression with the Audience has Shared it.

Salman poetry and revolutionary value in the field of poetry can be investigated. He is a special kind of religious poetry with the theme of human society is presented. Byshtrmfahym themes of his poems during the Revolution, War epic, testimony, strength, charity, religious concepts, as expected, Ashura, birth and death of the innocent and covers. Despite the emphasis Harati presence of meaning and thought, He was due partly to the illustration, Jandarpndary, is also important phonotactics. And it must be said Tsvyrdrkhdmt his poetic themes and ideas. In Lyrics Blndsh the structure of the poetry and relevance can be seen clearly. His poetic lyrics structural variation Salman disabled creations. Yet sometimes Originality and beliefs that humans have invaded Ast. we eat. With Ghyrsharanh of the achievements of modernity is the result of anti-poet. His protest against injustice and lack of balance. Salman poetry, love, faith, purity, religion, belief, defending the Islamic Iran that shows the value of unmatched human identity. The issue is sensitive poet soars in which extrinsic motivations. Because in most developed type of poetry that is a word picture elements, inappropriate and not sit together random. Vtbyn highlighting all the elements, the visual logic of poetry, The meaning of artistic relations, will help the reader in understanding poetry. After coming to check the content of these rules has been discussed.

Among the works of Ghaznavi Hadiqeh al-Hagiqah and Shriya al-Tariqah, there is a significant feature of the theme; a variety of stories, sets of themes, and references and applications are presented to the audience. Al-Hagiqa is a poem that has influenced many poets. With the compilation of this system, Sanai opened up a new Bible in mystical verses in the history of literature and mysticism. The great poets such as Khaghani and Military, respectively, dowload the al-Iraqiqin and the reservoir of al-Asrar under the direct influence of this poem, and years later, Attar and Maulana evolved into the reign of mystical masnavi. Among these symbols, the application of elements of the material, especially plants, is noteworthy. Some of these herbs are symbols, which are not only an effect on their effects, which are manifest among cymerolls. The authors of this paper, which have been written in a documentary and a book, have studied the applications of such as Banafsheh, , Saffron, Chamran, Susan, Seyzanbar, Wheat, Laleh, Narcissus and Nilevfr. The result obtained from this study is that the Sanai in the Hediqeh al-Hagiqah and Sharia Like other works, he has used his masterpiece to express the best of mysticism and mysticism.

The first years of 40thdecades (A. D) was the Emersion Period of Moje-Nov in the Persian Poetries. The process which was the prelude to the appearance of Space Poetry (Hajm poetry) at the late of that decade. The statement of Space poetry that was signed by some of Iranian poets, writers and the cinematic people in 1969 created one poetical viewpoint for the readers of Persian Poetry but the concepts of this statement wasn’ t recognizable in the Space poetries of the poets. This question that “ what is the relation between the statement of Space Poetry and YadollahRoyaee ´ s poetry” (he was the only poet who remain faithful to the Space poetry). This question hasn’ t been responded clearly. The present study attempted to respond this question clearly that what is the relation between the statement of the space poetry and its principles with the Royaee ´ s poetries. The following study comprised of one introduction, and some sections included the evaluation of Space appearance, the factors of YadollahRoyaee ´ s poetry and the analysis of the relation of these poetries in the Space poetry statement. At the end of this study, the concepts were summarized and concluded.

Andalus is considered to be one of the major centers of Islamic science, which over the centuries witnessed an increasing number of sciences and the emergence of many scholars and writings. The main pillar of this scientific flourishing was the transfer of the fundamentals of these sciences from the Oriental Islamic blessing to this land. What adds to the importance of this is the fact that Andalus is one of the most distant points to the main centers of Islamic science and culture, which was difficult to access due to various factors. However, attention is drawn to the characteristics of scientific and cultural development in the land, including educational centers, libraries, the number of scientists and scholars, as well as their compilations and compilations, which show a rapid growth in this area. Also, the vast number of scientists in Andalusia and their writings testify to the significant growth of science in this land. In the present article, the present article examines the scientific and cultural relations of the Andalusian golden age (Abdul Rahman al-Nasr 350-300 AH)-the rule of Al-Mustansar (366-350 AH) by analytical-descriptive method.