According to the theory intertextuality, every literary text, aware or not aware, procreation or readout from his contemporary literary works or before. Nahj-al-balaghe, Since the rise so far, [after the Quran] aways, is considered as one of the key and sources for Arab and Iranian literati. while the classical Iranian poets modling from the valuable words and concepts of Amir of believers is More prominent. so that the kinds intertextuality of Nahj-al-balaghe in many Persian poems, is visible clearly. The aim of this study is to identify, introduce and explain the word intertextuality Imam in the words and concepts of classical Persian poetry. The realization was done by descriptive analytical method, and by induction eloquent the valuable words and concepts of Nahj-al-balaghe in the poetrys of the most prominent Iranian poets. By analysis and study of Process intertextuality in these poetry (the text present) and Nahj-al-balaghe (the text missing) we find that the kinds intertextuality was came In the form Intertextual in words of content and reports, and intertextual relations in In the form partial negation, negation and rejection of parallel or general. It should be noted that the intertextual content, and the negation of the parallel of intertextual relations, in the style of writing poems studied, the other, is more pronounced.