CULTURAL STUDIES & COMMUNICATION
Year:2018 | Volume:14 | Issue:52|Papers Count:14

The quality of "content" has changed as the core of a communication process in the new world with the expansion of virtual space. The purpose of this article is to scan the content environment in cyberspace in order to identify the determinants of the quality of content in the future of Iran with the horizon of 1404. The data collection in this study was conducted through interviewing experts, managers and specialists of related areas and reviewing existing literature, including international and national reports, internal and external papers, and theoretical topics. The method of data analysis has been to use the "theory of coding" procedures and procedures. Finally, the factors identified in the 51 main categories determining the future quality of the content were identified. These factors have been introduced in a layered manner at key levels of key determinants of the content environment and key drivers of the external environment at both national and international levels in the sixth issue of the Ezlitel framework (economic, political, social, technological, legal, and environmental). The results indicated that 11 key environmental factors that affect 40 environmental impacts in the six domains will determine the future quality of the content.

the all efforts of news producers is transmitting the message to the audience in the communication cycle. To understand and discover the mental patterns of IRIB news producers about Changingg of the Audience nature to the User, the Q method was used. 50 news producers including reporters, editors, chief editor and news researchers were participating in this research. After analyzing the research data, using factor analysis with SPSS software and interpreting the extracted factors and their relationship with each other. Three groups of mental patterns were discovered about changing the nature of the audience. In the first mental model (user-oriented), of which 56% of the participants belong, the feature of this pattern is producing and the publishing of the news in addition to consuming. In the second mental pattern (audience-oriented) of which 16% of the participants belong, the audience is referred to as the recipient of the news, who have loyalty and affiliation to the news. In the third mental model (sender oriented), 28% of participating belong, news publishing power is more important than being producer.

Despite the long life of Iran history, we see a kind of continuity and non-separation in this art. With all the changes in government, accidents, civil war, overcoming several periods of foreign affairs across the country, the never-ending artistic appearance showed a fundamental change. According to the definitions, paradigms are divided into several subsets based on functional fields The most important of these patterns in Iranian art is the perception of place. The place and time that affects the structure of art in Iran is formed between the two axes of identity and culture as paradigms of the paradigms. The important hypothesis of the research suggests that there are inclusive and continuous patterns behind the developments and transition in Iranian art. They prevent interruptions between courses. But this continuity does not stand in the way of innovation and transformation This article try to answer the questions about the structure of the paradigm of space and wants to answer this important question that how and by what component it is structured. . The result of this analytical and descriptive study states that the structure of the paradigm of space. in Iran consists of four units of popular, philosophical, religious and mythological beliefs, and Iranian painting has been influenced by these structures. Accordingly, there are three distinct periods of painting from the third century to the early period of the Pahlavi era. The first period is the most immaterial, the second one is mythological and the last is the most material

The present article examines the relationship between legal hermeneutics, legal pluralism and the rule of law. In other words, the role of "legal hermeneutics" as the link between "maintaining the unity and cohesion of the legal system" on the one hand and "implementing the main functions of the rule of law" on the other hand, will be elucidated and analyzed. To this end, the authors will examine the notion of "hermeneutics of legal pluralism", which has been raised by the eminent anthropologist Clifford Geertz, and criticize and expound it in the light of Paul Ricoeur’ s thoughts and theories. Having a special regard to these ideas, it can finally be concluded that legal pluralism and legal diversity are not only an obstacle to the realization of "rule of law", but to the contrary, the uncontested qualities of law – as a sense-seeking constructive phenomenon – require and demand, rather than violate, the mechanisms of "rule of law" as normative principles for reconstructing the existing law.

Sociologists have emphasized the importance of self-actualization in identity formation and modern societies’ health. Self-actualization researches in various cultures have indicated differences in the level of self-actualization in societies and emphasized the importance of a culture-based definition of self-actualization. To answer this necessity, the purpose of this study was to develop a self-actualization model based on perfection and according to Islamic morality viewpoints, and comparing it with the lived experiences of self-actualized artists. The research was conducted qualitatively. The research sample was Naraghi’ s book of Jame’-al-Sa'adat on morality and six self-actualized artists. Data analysis method was thematic analysis. After coding the concepts, themes were identified, categorized and named. Findings indicate that self-actualization in Islamic morality has four scopes: "man and god", "man and self", "man and transcendence" and "man and society". The lived experiences of artists was much similar to the model, “ creativity” was an additional theme to the morality model and there was an increased emphasis on the social functions of artists in the interviews. Thus, establishing a lifestyle according to Islamic morals and consolidating creativity and social approach in it, can answer to our society’ s need for self-actualization to keep paradoxical demands of cultural changes and multiple roles imposed on man, in balance.

Our research seeks to understand the meanings that virtual subjects make of their dwellings on Facebook. To achieve this, classic Grounded Theory Method in particular Glazer’s version (classic version) was applied. Our sample comprised 17 Facebook virtual actors who were interviewed using unstructured in-depth interview technique. As the result suggest, we may say that six main categories, including virtual emancipation, virtual form of real action, fantasy formations, pleasure of consumption and threat of control, spatial interactions and the proliferation of liquid fear are interconnected with each other. Also, these categories articulate the experience of facebook subjects in relation to the “virtualization of meaning” - the core category. By linking these categories in the theoretical coding phase, the theoretical diagram was explored and presented. The theoretical foundation of this diagram lies on the entanglement of cyberspace and real space in the experiences of virtual subjects on Facebook’s space. This implies that the possibility of assuming a “dialectics of semantic spaces”. There is a dialectics between semantic spaces.

HIV is one of the most important health issues. But its meaning in the social world is beyond a disease. The media, especially TV, have a significant role in the development of the semantics of this disease. The question now is whether there are discourses about H. I. V In the series "Fairy" of the 1395 product. What are the discourses about HIV? What is the dominant discourse? And finally, has the series been able to reduce the stigma of this disease? To answer these questions, we helped the paradigms of the social sciences about the disease to show that this semantic construction is possible in a paradigm. The research method was Lacla and Mouffe's discourse analysis, and the results showed that the two discourses of "patient acquittal" and "patient exclusion" are in conflict with this series. Ultimately, though, the series has attempted to disassociate the disease, and dominant discourse is also "patient acquittal, " but the disease is at risk of behavior at the paradigm and the role of social structures has been neglected. The "excuse" discourse with the central slab of "victimization of the patient" by dividing patients into victims and felons still exacerbates the stigma of the disease.