Studying the works of contemporary painters from Ghazaliat Shams based on Genette’, s theory of Transtextuality: A case study of the works of 3 painters from the Shams Farhangistan book

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Esmaili Afsaneh; KAZEMI MASOUD

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Journal: Year:2023 | Volume:1 | Issue:2 Page(s): 64-77

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Title

Studying the works of contemporary painters from Ghazaliat Shams based on Genette’, s theory of Transtextuality: A case study of the works of 3 painters from the Shams Farhangistan book

Author(s)

Esmaili Afsaneh | KAZEMI MASOUD | Issue Writer Certificate

Keywords

Scontemporary painters

Ghazliat Shams

Genette’

s theory of Transtextuality

the Shams Farhangistan book

Abstract

The link between literature and art in Iran has been an unbreakable link for a long time. Persian literature with its epic, mystical, romantic, and religious themes has always been an inspiration for Iranian painters and a source of works for many illustrators and painters. Although the poems of Rumi as the leader of mystics in Iran have a special place in classical literature, they have not been illustrated until now. For this reason, at the beginning of the last decade, the Academy of Arts started editing this valuable work for the first time and displayed the artist’, s encounter with Rumi’, s poems to present the sonnets of this outstanding poet in a new way and through a different lens. Based on this, the purpose of the present study, which relies on Gé, rard Genette’, s theory of Transtextuality, examines the relationships of a text with previous texts in the form of hypertextuality, intertextuality, semitextuality, paratextuality, and metatextuality, explaining their relationship. There is a parallel between Shams’,sonnets and the works of painters in Shams Farhangistan book. Therefore, the main question is: What is the reflection of verbal texts in the visual works of Shams Farhangistan’, s book based on Genette’, s theory of Transtextuality? The results of the research show that the visual text has come out of the verbal text,and the first text can sometimes be seen explicitly in the second text, and sometimes it can be seen metaphorically and implicitly, or in the form of allegory, substitution, and hypertext. It has been identified that one of the main commonalities oft he two texts, in which the type of relationship is explicit, is the connection of the second stanza with the image of a bird surrounded by flowers and the eight-pointed star in Mr. Eskandari’, s work,the placement of part of the first text (poetry) in the second text (painting) by Mr. Jabari’, s calligraphy,and the connection of the fifth stanza with the three birds drawn in the work of Mr. Esadi, which shows being enclosed in a cage between the parallel lines at the top and bottom of the frame.

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APA: Copy

Esmaili, Afsaneh, & KAZEMI, MASOUD. (2023). Studying the works of contemporary painters from Ghazaliat Shams based on Genette’, s theory of Transtextuality: A case study of the works of 3 painters from the Shams Farhangistan book. JOURNAL OF INTERDISCIPLINARY STUDIES OF VISUAL ARTS, 1(2 ), 64-77. SID. https://sid.ir/paper/1040257/en

Vancouver: Copy

Esmaili Afsaneh, KAZEMI MASOUD. Studying the works of contemporary painters from Ghazaliat Shams based on Genette’, s theory of Transtextuality: A case study of the works of 3 painters from the Shams Farhangistan book. JOURNAL OF INTERDISCIPLINARY STUDIES OF VISUAL ARTS[Internet]. 2023;1(2 ):64-77. Available from: https://sid.ir/paper/1040257/en

IEEE: Copy

Afsaneh Esmaili, and MASOUD KAZEMI, “Studying the works of contemporary painters from Ghazaliat Shams based on Genette’, s theory of Transtextuality: A case study of the works of 3 painters from the Shams Farhangistan book,” JOURNAL OF INTERDISCIPLINARY STUDIES OF VISUAL ARTS, vol. 1, no. 2 , pp. 64–77, 2023, [Online]. Available: https://sid.ir/paper/1040257/en

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