A SEMIOTIC STUDY OF POSTERS CREATED IN IRAN AFTER THE ISLAMIC REVOLUTION FROM 1978 UP TO 2001

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EMAMIFAR SEYED NEZAMODDIN; KHAZEE M.; SOJOODI F.

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ISSN: 2588-4824

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Paper Information

Journal: NEGAREH Year:2010 | Volume:5 | Issue:16 Page(s): 73-89

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Information Journal Paper

Title

A SEMIOTIC STUDY OF POSTERS CREATED IN IRAN AFTER THE ISLAMIC REVOLUTION FROM 1978 UP TO 2001

Author(s)

EMAMIFAR SEYED NEZAMODDIN | KHAZEE M. | SOJOODI F. | Issue Writer Certificate

Keywords

SEMIOTICQ2

CULTURALQ3

POSTERQ2

IRAN ISLAMIC REVOLUTIONQ3

Abstract

After the Islamic Revolution in Iran, another revolution was also occurred in art and the graphic filed. So, POSTER art as a vital branch became alive in the mentioned field. Of course, products of this branch of graphic never been analyzed. The main issue in the present paper, relying on basic principles and knowledge of SEMIOTIC, is, making CULTURAL POSTERs, with a look at the aspects of sociology, with the analysis based on the works produced, and description of relationship between the production of meaning and communication and at last analyzing the POSTERs of 23 years after the Islamic revolution in Iran. Methodology of the present research is descriptive and the method of analyzing is based on SEMIOTIC science. 50 CULTURAL POSTERs were selected as the research sample and with the help of SEMIOTIC ways were analyzed. It seems, the Iranian POSTERs were seen and analyzed with this kind of research, for the first time after the Islamic revolution in Iran.

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