The Capacities of Haptic Perception in Persian-Islamic Art and its Function in Cinematic Expression The Case of “ The Green Fire”

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

SAYYAD ALIREZA; SOTOUDEH MILAD; SOTOUDEH SAJAD

Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: BAGH-E NAZAR Year:2020 | Volume:17 | Issue:88 Page(s): 19-26

Download Full-Text

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Persian Verion

View:

499

Download:

253

Cites:

Information Journal Paper

Title

The Capacities of Haptic Perception in Persian-Islamic Art and its Function in Cinematic Expression The Case of “ The Green Fire”

Author(s)

SAYYAD ALIREZA | SOTOUDEH MILAD | SOTOUDEH SAJAD | Issue Writer Certificate

Keywords

Haptic visualityQ1

Iranain artQ2

Laura U.MarksQ1

Optical visionQ1

Mohammad Reza AslaniQ1

Abstract

Problem statement: Recently, in contrast to the hegemony of optical-based approaches to cinema, a new mainstream in film studies has emerged that its focus is on the capacities of tactile perception in cinematic experiences. Based on haptic ideals, this approach is a kind of tendency toward generating senses and evokes emotional responses. In opposition to the dominant paradigms of film theories based on distance and perspective (optical visualization), haptic visualization provides a theoretical context in which the dynamics of the experience of watching a film could be analyzed. The main question of this study is how the haptic perception is emerged in Persian-Islamic Arts and what are the effects of this emergence on the viewers’ perceptions? Here, it is presumed that the Persian-Islamic Arts, with the haptic features embedded in, have the quality of presenting a different manner of seeing to their onlookers. Research objective: Seemingly the paradigms of the haptic perception are inherent to the Persian-Islamic Arts and this special feature can lead to new entries in cinematic expression for Iranian film industry. The objective of this essay is to attain the methods in which the haptic visualization is represented in Persian-Islamic Arts and to understand how it is appeared in films created in this context. Research method: The following essay is compiled by using library resources and tries to define the notion of “ haptic perception” by the aid of descriptive-analytical method. Furthermore, the haptic capacities of Persian-Islamic Art are explored by evaluating the case studies. Conclusion: This study shows that according to the haptic visualization characteristics in Persian-Islamic Art, the filmmakers have the opportunity to use it in order to elaborate their narratives. Regarding this objective, The Green Fire (2008), directed by Mohamad Reza Aslani, is analyzed as an Iranian film that has been successful in stimulating viewers’ haptic perception by cinematic techniques.

Cites

No record.

References

No record.

Cite

APA: Copy

SAYYAD, ALIREZA, SOTOUDEH, MILAD, & SOTOUDEH, SAJAD. (2020). The Capacities of Haptic Perception in Persian-Islamic Art and its Function in Cinematic Expression The Case of “ The Green Fire”. BAGH-E NAZAR, 17(88 ), 19-26. SID. https://sid.ir/paper/371480/en

Vancouver: Copy

SAYYAD ALIREZA, SOTOUDEH MILAD, SOTOUDEH SAJAD. The Capacities of Haptic Perception in Persian-Islamic Art and its Function in Cinematic Expression The Case of “ The Green Fire”. BAGH-E NAZAR[Internet]. 2020;17(88 ):19-26. Available from: https://sid.ir/paper/371480/en

IEEE: Copy

ALIREZA SAYYAD, MILAD SOTOUDEH, and SAJAD SOTOUDEH, “The Capacities of Haptic Perception in Persian-Islamic Art and its Function in Cinematic Expression The Case of “ The Green Fire”,” BAGH-E NAZAR, vol. 17, no. 88 , pp. 19–26, 2020, [Online]. Available: https://sid.ir/paper/371480/en

Related Journal Papers