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Information Journal Paper

Title

Analysis at changing of Tazieh paly between 2001 to 2011

Pages

  114-130

Keywords

the Taziyeh Assembly of the testimony of Hazrat Abbas (AS)Q1

Abstract

Taziyeh is a sacred but bloody epic narrative depicting two sides, one goes down the path of fall and the other one rise to empyreans and holys. It is a battle drawn on one side of the courage, faitand sacrifice and on the opposite side all the devilsh cruelties and uprighness are uprigh. Eventually these scenes teach the audience the triamph of blood on the sword. Taziyeh is language of art shows dozen of parliamentarians who love the Ahlul Bayt one of the major developments in the process of displaying is the course of its literary evolution from murder place to committee session. One of the well known of this filed is Seyyed Mostafa Kashani, known as Miraza, who is one of the most famous writers in the Naseri period. Who plays an important role in the evolution of Iran’ s Taziyeh during the Qajar period, and the parties of today are written more similar to his works than the other Taziyeh festivals in other areas. In this research, for the first time, we intend to consider two of the six Taziyeh’ s committee to examine from the manuscripts written by Seyyed Mostafa Kashani in terms of the evolution of poetry in the individual versions in the 80s and 90s. At first we should check the original version of the documentary written by Seyyed Mostafa Kashani and find out what changes have been made to the gatherings written by him? Then, with the adaptation and checking of different manuscripts, we will consider in this perspective whether the addition and deletion of the verses and the entry of new poems has an effect on the narrative process of the Taziyeh, and the combination of the Taziyeh composed by Seyyed Mostafa Kashani with the poems of other Taziyeh fields has an effect on the development of Taziyeh? At the end, we achieved the important thing that the changes in the poetry in the individual verses of Taziyeh were deliberately or inadvertently induced by Miraza’ s Taziyeh has deform by lack of uniformity in the Tahitian version and the original text is out of its originality, and unfortunately, today, it has become a Personalization version of Taziyeh, which sometimes these innovations, such as the removal and addition even due to the reduction of time cause damages to the original framework of The Taziyeh. It has been one of the serious injuries in the past two decades that must be seriously addressed in this category. Because the progress of this issue will lead to the disappearance of the main lyrics of the text and even the memory of Taziyeh’ s reader in the future will be forgotten.

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  • Cite

    APA: Copy

    Hosseini, Seyyed Mahdi, & , Seyyed Mostafa Mokhtabad. (2018). Analysis at changing of Tazieh paly between 2001 to 2011. THEATER, -(75 ), 114-130. SID. https://sid.ir/paper/386927/en

    Vancouver: Copy

    Hosseini Seyyed Mahdi, Seyyed Mostafa Mokhtabad. Analysis at changing of Tazieh paly between 2001 to 2011. THEATER[Internet]. 2018;-(75 ):114-130. Available from: https://sid.ir/paper/386927/en

    IEEE: Copy

    Seyyed Mahdi Hosseini, and Seyyed Mostafa Mokhtabad, “Analysis at changing of Tazieh paly between 2001 to 2011,” THEATER, vol. -, no. 75 , pp. 114–130, 2018, [Online]. Available: https://sid.ir/paper/386927/en

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