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Information Journal Paper

Title

ADOPTIONS OF HORR MOURNING FROM THE SHAHNAMEH AND PERSIAN NARRATIVES

Pages

  201-220

Abstract

MOURNING is an Irano-Islamic ceremony that takes the three arts of POETRY, music, and play on the stage and presents skillful, poetic, and musical report of the historical conflicts, especially the Ashoora tragic event. This art, with centuries of precedence, in addition to historic narratives has borrowed numerous points from Iranian culture and civilization, specifically from THE SHAHNAMEH, either directly or indirectly. The present article is a research on these affectabilities in HORR's MOURNING assemblies, taken from the work of great cleric Mirza Mohammad, entitled with Mir Anjom - Zamaneh Arak. We have tried to show this adaptation in words and meanings. The conclusion of these studies indicate that the MOURNING transcribers specifically Mir Anjom have taken advantages front the symbols and myth 0 logic stories of THE SHAHNAMEH to illustrate the epic conflicts of the MOURNING to associate the readers I mind to what happened in those tragic events.

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    APA: Copy

    KHODADAD NUSHABADI, MOHAMMAD, & KHAYRKHAH, SAEED. (2016). ADOPTIONS OF HORR MOURNING FROM THE SHAHNAMEH AND PERSIAN NARRATIVES. PERSIAN LITERATURE (BAHARESTAN SOKHAN), 13(32), 201-220. SID. https://sid.ir/paper/168523/en

    Vancouver: Copy

    KHODADAD NUSHABADI MOHAMMAD, KHAYRKHAH SAEED. ADOPTIONS OF HORR MOURNING FROM THE SHAHNAMEH AND PERSIAN NARRATIVES. PERSIAN LITERATURE (BAHARESTAN SOKHAN)[Internet]. 2016;13(32):201-220. Available from: https://sid.ir/paper/168523/en

    IEEE: Copy

    MOHAMMAD KHODADAD NUSHABADI, and SAEED KHAYRKHAH, “ADOPTIONS OF HORR MOURNING FROM THE SHAHNAMEH AND PERSIAN NARRATIVES,” PERSIAN LITERATURE (BAHARESTAN SOKHAN), vol. 13, no. 32, pp. 201–220, 2016, [Online]. Available: https://sid.ir/paper/168523/en

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