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Information Journal Paper

Title

Matching the Themes of Decorative Motifs in the Murals of Mahdieh Gholi Khan Bath in Mashhad and Three Qalamkar of Qajar Period

Pages

  119-127

Abstract

 Decorative motifs in Qajar era architecture and textiles reflect the views of the artists in that era. The motifs are different from the aesthetics of the time and the level of idealism of the artists. The research objectives were to study the themes of decorative motifs in the Qajar architecture and textiles and to explain the characteristics of Iranian artists’ imagery in performing arts in the art of Qajar era. The main question of this article was how the romantic and epic themes of decorative motifs are in the MahdiquliKhan bath architecture and the three cloth makers and their content matching. The method of research was analytical descriptive and information gathering method was documentary. The results of the research indicated that the content of the presentations has been mostly narrative and in the description of the event. The elements affecting the Mahdiqolikhan baths in Mashhad and the qalamkar fabrics were in the form of mythical, epic, and life, which were rooted in people’ s beliefs. In addition to conventional and custom themes such as courtiers and nobles, historical, fictional, war and hunting scenes, the themes of flowers, girls, daily life, birthdays, and Islam and religion have been used. The general way of drawing motifs is often based on the artist’ s mental principles, without perspective, idealism in the limbs and sometimes similarity with reality and without observing the scale in the field to fill the text of the work, common space and according to the artist’ s idea in various works of art. The use of objects and the arrangement of background and clothing have all varied according to cultural developments and changes in trends in customs and beliefs.

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    • Cite

    APA: Copy

    Mounesi Sorkheh, Maryam, & Hossein Zadeh Ghashlaghi, Sara. (2020). Matching the Themes of Decorative Motifs in the Murals of Mahdieh Gholi Khan Bath in Mashhad and Three Qalamkar of Qajar Period. NEGARINEH ISLAMIC ART, 6(18 ), 119-127. SID. https://sid.ir/paper/405471/en

    Vancouver: Copy

    Mounesi Sorkheh Maryam, Hossein Zadeh Ghashlaghi Sara. Matching the Themes of Decorative Motifs in the Murals of Mahdieh Gholi Khan Bath in Mashhad and Three Qalamkar of Qajar Period. NEGARINEH ISLAMIC ART[Internet]. 2020;6(18 ):119-127. Available from: https://sid.ir/paper/405471/en

    IEEE: Copy

    Maryam Mounesi Sorkheh, and Sara Hossein Zadeh Ghashlaghi, “Matching the Themes of Decorative Motifs in the Murals of Mahdieh Gholi Khan Bath in Mashhad and Three Qalamkar of Qajar Period,” NEGARINEH ISLAMIC ART, vol. 6, no. 18 , pp. 119–127, 2020, [Online]. Available: https://sid.ir/paper/405471/en

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