مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

video

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

sound

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Persian Version

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

View:

386
مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Download:

304
مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Cites:

Information Journal Paper

Title

AN EXPLANATION OF THE MACHINE AESTHETICS IN RUSSIAN AVANT-GARDE ART BASED ON MARX’S IDEAS

Pages

  45-60

Abstract

 The main issue of this paper is to find the theoretical foundations of the presence of Machine in the works of Russian Avant-garde artists, or to provide an explanation for THE MACHINE AESTHETICS; this will be carried out by tracing those foundations in the ideas of Karl Marx. During the 1917 revolution, Marx’s ideas were effective in opening Russian art’s doors toward the Machine. According to the hypothesis of this study, THE AVANT-GARDE ARTists chose different ways to express their ideology to be in step with the revolution; thus the application of the Machine and displaying its features, was one of the most prominent characteristics of their works. It was in the same direction that certain artistic schools such as Russian Futurism, Constructivism, and Productivism Emerged, and the presence of Machine elements was their common feature. These elements that somehow represented the era of giant automatic systems highly attracted Marx’s attention in writing his social philosophy. Thus, the Russian Avant-garde art’s structure, has its origin in Marx’s practical philosophy. The question is how these Russian Avant-garde artists, saw themselves along with the revolutionaries and in the same line with the workers. In this context, and considering the existing documents and evidences, it will be clear that one of the key components of the emergence of the Machine into the realm of art was the annihilation of the social contradictions intended by Marx, namely, the contrast between the progress of science and the human welfare that should have been brought by it, and the difficult conditions which the masses were actually struggling with. The artists believed that in this manner, the Machine was no longer in the hands of Capitalists exclusively; instead, by fitting in the comprehensive realm of art, it could have belonged to the individuals. Breaking with tradition, and what Marx had recommended for raising the level of THE PROLETARIAT’s consciousness are among other key components. According to Marx, this could accelerate criticizing the existing situation, by expanding creativity and the spirit of inquiry toward a dynamic critical culture. The last component is to display the nature and manner of production, after the revolution; it aims to create the construction flow, and to encourage THE PROLETARIAT to strengthen their society and to progress it through industrial development.

Cites

  • No record.

    • References

  • No record.

    • Cite

    APA: Copy

    AALEE KOLOOGANI, MARZIEH, & SHAD GHAZVINI, PARISA. (2017). AN EXPLANATION OF THE MACHINE AESTHETICS IN RUSSIAN AVANT-GARDE ART BASED ON MARX’S IDEAS. BAGH-E NAZAR, 14(48), 45-60. SID. https://sid.ir/paper/693048/en

    Vancouver: Copy

    AALEE KOLOOGANI MARZIEH, SHAD GHAZVINI PARISA. AN EXPLANATION OF THE MACHINE AESTHETICS IN RUSSIAN AVANT-GARDE ART BASED ON MARX’S IDEAS. BAGH-E NAZAR[Internet]. 2017;14(48):45-60. Available from: https://sid.ir/paper/693048/en

    IEEE: Copy

    MARZIEH AALEE KOLOOGANI, and PARISA SHAD GHAZVINI, “AN EXPLANATION OF THE MACHINE AESTHETICS IN RUSSIAN AVANT-GARDE ART BASED ON MARX’S IDEAS,” BAGH-E NAZAR, vol. 14, no. 48, pp. 45–60, 2017, [Online]. Available: https://sid.ir/paper/693048/en

    Related Journal Papers

  • No record.

    • Related Seminar Papers

  • No record.

    • Related Plans

  • No record.

    • Recommended Workshops

  • No record.





    • Move to top
    telegram sharing button
    whatsapp sharing button
    linkedin sharing button
    twitter sharing button
    email sharing button
    email sharing button
    email sharing button
    sharethis sharing button