The Restoration of the Inscriptions of the Islamic Architecture Monuments of Iran from Viewpoint of Theory Restoration and the Basics of Visual Arts

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Shishehbori Tahereh; AHMADI HOSSEIN; SALEHI KAKHKI AHMAD

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Journal: Journal of Architecture in Hot and Dry Climateis Year:2021 | Volume:9 | Issue:13 Page(s): 23-38

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Title

The Restoration of the Inscriptions of the Islamic Architecture Monuments of Iran from Viewpoint of Theory Restoration and the Basics of Visual Arts

Author(s)

Shishehbori Tahereh | AHMADI HOSSEIN | SALEHI KAKHKI AHMAD | Issue Writer Certificate

Keywords

Restoration

Inscriptions

Theory Restoration

Basics of Visual Arts

Islamic Architecture of Iran

Abstract

Inscriptions and epigraphy in the ornamentation of Islamic era monuments have been applied and considered by Muslim artists as a link of the calligraphy and architecture since the early Islamic centuries and is performed by the artists as yet. Over time, historical monuments such as Inscriptions are undoubtedly subjected to various damages, and these valuable works suffer from various perspectives of aesthetics, authenticity, unity, integrity, and readability. Largescale Restoration operations are carried out every year in the country, and Inscriptions are not excepted. However, Inscriptions are accounted as an important part of the world's cultural heritage and the most important documents for research about historical monuments, but in most cases, the Restoration of Inscriptions is a matter of taste and sometimes done incorrectly. For this reason, attempts were made to select some samples of Restorations of written Inscriptions, which were critically studied from the viewpoint of theoretical foundations of Restoration and the Basics of Visual Arts. The results of the research indicate that the performed Restorations are a matter of taste and the visual arts basics were not considered in the Restoration of most of the written Inscriptions, and the Inscriptions have lost their beauty and integrity, readability and originality, etc. On one hand, in accordance with the theoretical foundations of Restoration there is no criterion for restoring the areas with lack of written Inscriptions. Not only Iran, but also the international community have not noticed this issue. Therefore, there is a need for a serious review of the criteria in accordance with the theoretical principles of Restoration considering the importance of calligraphy and observing the basics of the visual arts in the renovation of the written Inscriptions. The results indicate that despite the lack of criteria for the Restoration of the deficient area of Inscriptions, the restorer should have an excellent command of maintaining integrity, authenticity and aesthetics, twelve components of calligraphy, different types of calligraphy, and the Basics of Visual Arts, in addition to the theoretical foundations of Restoration while restoring the deficient areas in the Inscriptions. The research method of this article is qualitative and descriptively-comparative; the accumulation methods inclusive of field studies, reference to various sources and desk research and is practical in terms of purpose.

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APA: Copy

Shishehbori, Tahereh, AHMADI, HOSSEIN, & SALEHI KAKHKI, AHMAD. (2021). The Restoration of the Inscriptions of the Islamic Architecture Monuments of Iran from Viewpoint of Theory Restoration and the Basics of Visual Arts. JOURNAL OF ARCHITECTURE IN HOT AND DRY CLIMATE, 9(13 ), 23-38. SID. https://sid.ir/paper/955040/en

Vancouver: Copy

Shishehbori Tahereh, AHMADI HOSSEIN, SALEHI KAKHKI AHMAD. The Restoration of the Inscriptions of the Islamic Architecture Monuments of Iran from Viewpoint of Theory Restoration and the Basics of Visual Arts. JOURNAL OF ARCHITECTURE IN HOT AND DRY CLIMATE[Internet]. 2021;9(13 ):23-38. Available from: https://sid.ir/paper/955040/en

IEEE: Copy

Tahereh Shishehbori, HOSSEIN AHMADI, and AHMAD SALEHI KAKHKI, “The Restoration of the Inscriptions of the Islamic Architecture Monuments of Iran from Viewpoint of Theory Restoration and the Basics of Visual Arts,” JOURNAL OF ARCHITECTURE IN HOT AND DRY CLIMATE, vol. 9, no. 13 , pp. 23–38, 2021, [Online]. Available: https://sid.ir/paper/955040/en

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