Journal of Kavoshnameh in Persian Language and Literature
Year:2007 | Volume:7 | Issue:13|Papers Count:9

In this article, the fiction of Zal and Roodabe is studied on the basis of destructural and structural perspective. The hypothesis of the article is that due to his savage and cruel upbringing, Zal, Rustam's father, broke up and removed the structure of tradition and made a link between Ahoora and Ahriman generations.

Abolfazl Beihaqi, a great writer of the Qaznavi period, using the sentence "no one remembered a case like that" and similar sentences in his history book, makes further explanation unnecessary for himself and for his audience. Investigating the application of such sentences with a high frequency (approximately 50) illustrates that he has used them in four cases: in joys and parties (40%), in ceremonies of giving gifts or ranks (27%), in the case of skills (20%), and in natural disasters (13%). We can imagine the following objective for Beahaqi's use of these sentences: using them in their real meanings (32%), unprecedency of the case for Beihaqi (17%), using them as a habit (12%), and using them exaggeratively (39%).The last use is the most frequent one which shows Beihaqi's great love of Sultan Mas'oud, which is not lessened by the interval between the events and the date of writing the book (about 30 years). On the other hand, using these sentences in their real meaning is representative of the luxuries of the Qaznavi's court, unprecedented vinosity and parties, as well as the ingeniousness of the men of the court, especially his ancestors.

Toofan magazine by Farrohki Yazdi was published for eight years from 1821 to 1828 important critical method, political tendency, and informative prose. Certainly, his approach of writing and literary aspect can be placed at other degree of importance.We can divide the prose of Farrokhi into three kinds: journalistic prose, descriptive prose, and disposition prose. His prose was journalistic prose, was under the influence of journalistic prose of constitutionalism characteristics of writing, his articles are important and we try to engage in them. This article focuses on, kinds of prose and characteristics of Farrokhi's writings.His articles are investigative, analytical and critical creative with a variety of topics. They are noticeable in tree aspect: first is the internal factor. The words and political expressions in his prose are more as compared to his contemporary prose. The second is the external factor: The socially and historical conditions which made Farrokhi select the colloquialism and humanism.The other point is Farrokhi's impressive talent of poetry. In his articles, he uses a little imagination. Although he composed and published for Toofan magazine, he managed his sonnets by the approach of improvisation.

Wise maniacs were a group of people who seemed not to act or speak on the demand of social norms, religious scruples, and common sense. They kept aloof from people and often took ruins, cemeteries, and isolated areas as their whereabouts. According to Mohya-al-din Arabi, this behavior was brought about due to a devine inspiration and the revelation of Unseen to them. There seem, however, to be other factors accounting for such a character.This article investigates the social factors that shaped up the character of wise maniacs who were contemporary to Attar. Narrating certain events, the article also refers to the feeling of criticism and objection as the salient aspect of their social life.

Houshang Ebtehaj is a well known contemporary lyricist. His pen name is H. A. Sayeh. His interest in lraqi- style lyrics and his success in following the style of the greatest poet, "Hafiz" is why he has been called "Hafiz" of the time.One of the special features of the surface structure of his lyrics is the phonetic balance. That is t he creates a prominent musical system in his poems by repeating phonemes and syllables result of doing research on his poetic works as well as being proficient in music and being acquainted with the great contemporary musicians such as Meshkatiant Lotji, and Shajarian.This paper takes into account the phonetic balance and the musical system of his poems which are analyzable in terms of surface structure of this article makes an attempt to compare him to Hafiz.

The poet laurate Am'agh Bokharaei is among the poets in the early sixth century. The themes of his poems are different in accordance with the time, panegyreic and sometimes satire, lyricism and description of nature.His poetic work includes odes, quatrains and some stanzas. Most of his odes are in panegyric for Shams-almolk; but while panegyric, he does not trample on the nature magnanimity and intellectual and spiritual excellence through oriented and voracity.He is skilled at simile and almost half of his verses contain similes. Therefore, he should be called a simile-oriented poet stylistically. Most of his similes are unique and tangible. The brief, but efficient, similes are fictional, imaginary; plural, compound, superlative, and tangible. The similes in his poetic work indicate that he has adorned his words apparently and inwardly. That is why Anvari calls him a locution master. Since Am'agh is among the poets who contribute to changing the Khorasani style to Iragi style, we seek to study the simile elements; its types and objectives, its closeness to eloquent and inspired resources in his poetic work and his style through referring to the statistical table of the poet's similes.

Folklore or oral literature is a rich source of the subcultures and traditions of a country, an important subject for anthropologists, psychologists, historians and politicians. Because of the scarcity of data, it is very difficult to speak about Luri poetry. The poetry has been always combined with music and chants.This paper brings into focus a few aspects of Luri poetry such, as the concepts of 11rifle 11 (Bernow), poverty love, widow love, epic love and, feministic poetry sung by men and others.

Upon occupying Algeria, France started practicing hegemonic policies that were subversive to the religious, cultural, and national identities of that country. In addition to Algerian ethnic recognitions, Islamic culture and Arabic language were victimized too. Arabic schools were closed down and religious scholastic centers were destroyed into shut ruins. In spite of all this, the Algerian Muslim nation kept abiding by its religious values.This state of affairs gave men of letters, in general, and poets, in specific, an outstanding role in voicing the public opinions and developing chivalry spirits in the nation for resistance. Equipped with valuable religious teachings gained through delving in the Quran, the literature folks tried their best to preserve genuine cultural rules.One of the Algerian then-poets who stood up mightily against the despotic French puppet government was Mofdi Zakarya. By memorizing and teaching the Quran, he granted his poetry an obvious force of -lahab-alprovide a topic for the present article.