Analysis of two sonnets from Hossein Manzovi's sonnets from an aesthetic point of view

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Fotohi Tekantape Susan; Toheidi Far Amirhossein

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Seminar Paper

Paper Information

Seminar: INTERNATIONAL CONFERENCE ON LANGUAGE, LITERATURE, HISTORY AND CIVILIZATION
Year:2024 | Issue:11

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Title

Analysis of two sonnets from Hossein Manzovi's sonnets from an aesthetic point of view

Author(s)

Fotohi Tekantape Susan | Toheidi Far Amirhossein

Keywords

Hossein Monzavi

contemporary Ghazal

aesthetics

structural units of poetry

Abstract

Hossein Monzavi is recognized as one of the prominent contemporary poets. He has played a significant role in reviving modern Ghazal and the revolutionary movement in Persian poetry. This article examines two Ghazals from the poems of Hossein Monzavi in terms of external beauty at two linguistic (lexical, syntactic, and prosodic) and literary (imagery) levels. aesthetics is considered one of the branches of science that relies on human emotions. The present article aims to examine and identify the cognitive dimensions of the beauty of the poems and the poet's style, as well as to understand the structure of Ghazal and contemporary Ghazals. In this research, the necessary data were obtained through "documentary-library" studies, and the "descriptive-analytical" method was used to analyze them. The results of this study showed that the poet has used words in the two examined Ghazals that are suitable for the mood and atmosphere of a romantic and lyrical poem, and there is also complete harmony and coherence at the syntactic level. Persian words are heavily employed in his poetry. The degree of command in his poetry is high. The rhyme plays a significant role in imagery and creating the desired spaces by the poet. His verses, which are in the present tense, contribute to the richness of the poem. The external music of his poetry, namely the meter, is one of the most melodious meters in Persian poetry. Monzavi establishes a wide range of connections, using techniques such as allusion, contradiction, consideration of simile, and evoking emotions, to create various associations among images. Simile, as one of the rhetorical devices, is used artistically by Monzavi, and it is primarily responsible for imagery in these two Ghazals. All his similes are sensory and derived from natural elements.

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APA: Copy

Fotohi Tekantape, Susan, & Toheidi Far, Amirhossein. (2024). Analysis of two sonnets from Hossein Manzovi's sonnets from an aesthetic point of view. INTERNATIONAL CONFERENCE ON LANGUAGE, LITERATURE, HISTORY AND CIVILIZATION. SID. https://sid.ir/paper/1130006/en

Vancouver: Copy

Fotohi Tekantape Susan, Toheidi Far Amirhossein. Analysis of two sonnets from Hossein Manzovi's sonnets from an aesthetic point of view. 2024. Available from: https://sid.ir/paper/1130006/en

IEEE: Copy

Susan Fotohi Tekantape, and Amirhossein Toheidi Far, “Analysis of two sonnets from Hossein Manzovi's sonnets from an aesthetic point of view,” presented at the INTERNATIONAL CONFERENCE ON LANGUAGE, LITERATURE, HISTORY AND CIVILIZATION. 2024, [Online]. Available: https://sid.ir/paper/1130006/en

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