EVALUATING IMAGINAL FORMS FROM FARABI’S POINT OF VIEW

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MAFTUNI NADIA

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Journal: Ma`rifat Falsafi Year:2011 | Volume:8 | Issue:4 (32) Page(s): 55-74

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Information Journal Paper

Title

EVALUATING IMAGINAL FORMS FROM FARABI’S POINT OF VIEW

Author(s)

MAFTUNI NADIA | Issue Writer Certificate

Keywords

FARABIQ3

IMAGINAL FORMSQ3

TRUTH AND FALSITYQ2

BEAUTY AND UGLINESSQ2

GOOD AND BADQ2

BEATITUDEQ2

PHILOSOPHY OF ARTSQ2

Abstract

Although FARABI has not engaged in the issue of the critique of imagination, one can understand his stance by putting such questions to his works. The issue of the critique of imagination belongs to the realm of the PHILOSOPHY OF ARTS, and it is of strategic import for the development of the philosophy of Islamic arts to design such problems and try to find their solutions through the works of Muslim philosophers.FARABI has theories about evaluating imagination on the basis of TRUTH AND FALSITY, BEAUTY AND UGLINESS, goodness and badness. He eventually appraises them by the criterion of human BEATITUDE (sa’adat). The notion of truth and falsehood in IMAGINAL FORMS differ from those in the realm of propositions. However, the arbitrator who judges about the beauty and truth of an imaginal form id the intellectual faculty, even in the sphere of imagination.

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APA: Copy

MAFTUNI, NADIA. (2011). EVALUATING IMAGINAL FORMS FROM FARABI’S POINT OF VIEW. MARIFAT-I FALSAFI, 8(4 (32)), 55-74. SID. https://sid.ir/paper/124045/en

Vancouver: Copy

MAFTUNI NADIA. EVALUATING IMAGINAL FORMS FROM FARABI’S POINT OF VIEW. MARIFAT-I FALSAFI[Internet]. 2011;8(4 (32)):55-74. Available from: https://sid.ir/paper/124045/en

IEEE: Copy

NADIA MAFTUNI, “EVALUATING IMAGINAL FORMS FROM FARABI’S POINT OF VIEW,” MARIFAT-I FALSAFI, vol. 8, no. 4 (32), pp. 55–74, 2011, [Online]. Available: https://sid.ir/paper/124045/en

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