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Title

The Modulation Approach of the Beginning and the Ending of Films in Cinematic Experimentalism

Pages

  189-211

Abstract

 After making its initial experiences, cinema media attempt to create different ways of making movies. In order to absorb more audiences, artists and critics and filmmakers have experienced some methods in the field of narrative and structure at any point in time, and in their works, and have revealed a new and novel style. This continuous change and development over time has formed a special idealism that has caused cinema to appear continuously as an attractive and new art to the audience. In different periods, especially in the way of expressing the beginning and end of the film, this behavior had a special position that can be discussed and considered. The present study is an applied design and its main problem is to analyze the experimentalism of the beginning and the end of the film in three classical, modern and postmodern periods. This paper is a qualitative research with a review approach based on book study, film and cinema information. We find that experimentalism has created aesthetic and expressive filmic styles and periods in shifting the narrative time of art or commercial cinema depending on the beginning and end of the film, and has played a crucial and dynamic role in the ideal position and vitality of cinema media.

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