SHEIKH AHMAD JAM AND THE FICTION OF HIS CHARISMAS

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MADANI HOSSEIN; KAHDOOYI MOHAMMAD KAZEM; MALEK SABET MEHDI

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Journal: ADAB PAZHUHI Year:2010 | Volume:4 | Issue:13 Page(s): 85-108

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Information Journal Paper

Title

SHEIKH AHMAD JAM AND THE FICTION OF HIS CHARISMAS

Author(s)

MADANI HOSSEIN | KAHDOOYI MOHAMMAD KAZEM | MALEK SABET MEHDI | Issue Writer Certificate

Keywords

AHMAD JAMQ2

CHARISMAQ2

MAGHAMAT-E ZHENDE PILQ2

SADIDEDDIN GHAZNAVIQ3

MYSTICISMQ2

Abstract

Sheikh AHMAD JAM is among the mystics whose interlink of life events and CHARISMAtic characters have been a source of misunderstanding their true face. This misinterpretation is sometimes very great; for instance, the distance between the two Sheikh Jam’s pictures, one in MAGHAMAT-E ZHENDE PIL, and the other originated from his works, is as great as the distance between myth and reality. The contradictions and paradoxes related to his character and thought have made him one of the most controversial figures in Persian MYSTICISM.This article, after defining the concept of CHARISMA, briefly deals with Iranian CHARISMAtic mystics, and then, referring to some unbelievable CHARISMAs of Sheikh AHMAD JAM mentioned in MAGHAMAT-E ZHENDE PIL, brings multiple evidence in order to come as close as possible to the true character of AHMAD JAM.

Cites

THE DISPLACEMENT AND CONTINUITY OF MYTHS IN THE FORM OF THE MYSTICS' KERANTAS

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APA: Copy

MADANI, HOSSEIN, KAHDOOYI, MOHAMMAD KAZEM, & MALEK SABET, MEHDI. (2010). SHEIKH AHMAD JAM AND THE FICTION OF HIS CHARISMAS. ADAB PAZHUHI, 4(13), 85-108. SID. https://sid.ir/paper/137690/en

Vancouver: Copy

MADANI HOSSEIN, KAHDOOYI MOHAMMAD KAZEM, MALEK SABET MEHDI. SHEIKH AHMAD JAM AND THE FICTION OF HIS CHARISMAS. ADAB PAZHUHI[Internet]. 2010;4(13):85-108. Available from: https://sid.ir/paper/137690/en

IEEE: Copy

HOSSEIN MADANI, MOHAMMAD KAZEM KAHDOOYI, and MEHDI MALEK SABET, “SHEIKH AHMAD JAM AND THE FICTION OF HIS CHARISMAS,” ADAB PAZHUHI, vol. 4, no. 13, pp. 85–108, 2010, [Online]. Available: https://sid.ir/paper/137690/en

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