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Cites:

Information Journal Paper

Title

THE NARRATIVE GAP AND RETURN TO STORY ON MASNAVI

Pages

  29-46

Abstract

 Masnavi’s NARRATIONs are not as Linear NARRATION. In regards this aspect, the significant question is that what are the methods that applied by Molavi- narrator in order to make relationship between separated events and sepuences? In general, these methods can be divided into three groups: The use of these formulas represents the narrator’s awareness of delicate and detailed points of storytelling including spoken narrative and several narrative levels. He intentionally efforts to apply such techniques to preserve the Cohesion of Plats and recall the naratee to setting of interrupted story.

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  • Cite

    APA: Copy

    BAMASHKI, S., & GHAVAM, A.. (2011). THE NARRATIVE GAP AND RETURN TO STORY ON MASNAVI. LITERARY ARTS, 3(1 (4)), 29-46. SID. https://sid.ir/paper/156973/en

    Vancouver: Copy

    BAMASHKI S., GHAVAM A.. THE NARRATIVE GAP AND RETURN TO STORY ON MASNAVI. LITERARY ARTS[Internet]. 2011;3(1 (4)):29-46. Available from: https://sid.ir/paper/156973/en

    IEEE: Copy

    S. BAMASHKI, and A. GHAVAM, “THE NARRATIVE GAP AND RETURN TO STORY ON MASNAVI,” LITERARY ARTS, vol. 3, no. 1 (4), pp. 29–46, 2011, [Online]. Available: https://sid.ir/paper/156973/en

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