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Information Journal Paper

Title

A STUDY ON LITERARY BIBLIOGRAPHIES BASED ON THE AESTHETICS OF RECEPTION

Pages

  101-117

Abstract

 Developing and using bibliographies in the field of literary studies is a widespread practice. These bibliographies are normally categorized as either concise or descriptive. The former is limited to bibliographic information and the latter includes brief summary of the works. In the last decade, especially with the publication of Farhang-e Sa’adi Pajouhi, 1 a new genre of LITERARY BIBLIOGRAPHY has emerged in Iran. In addition to the book summary, this new type includes annotations. This type of bibliography, however, can be criticized because of (1) its value-judgment about books and articles and (2) for ignoring the underlying reasons for emergence of these books and articles. Also, this type of bibliographies ignores the historical context in which a literary work emerges and is read or ignored. In this paper, after discussing briefly the history of bibliographies, we will show how we can use ―aesthetics of reception‖theory to develop a new form of LITERARY BIBLIOGRAPHY.

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  • Cite

    APA: Copy

    DADVAR, NAGHMEH. (2016). A STUDY ON LITERARY BIBLIOGRAPHIES BASED ON THE AESTHETICS OF RECEPTION. LITERARY CRITICISM, 9(35 ), 101-117. SID. https://sid.ir/paper/158214/en

    Vancouver: Copy

    DADVAR NAGHMEH. A STUDY ON LITERARY BIBLIOGRAPHIES BASED ON THE AESTHETICS OF RECEPTION. LITERARY CRITICISM[Internet]. 2016;9(35 ):101-117. Available from: https://sid.ir/paper/158214/en

    IEEE: Copy

    NAGHMEH DADVAR, “A STUDY ON LITERARY BIBLIOGRAPHIES BASED ON THE AESTHETICS OF RECEPTION,” LITERARY CRITICISM, vol. 9, no. 35 , pp. 101–117, 2016, [Online]. Available: https://sid.ir/paper/158214/en

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