A FORMALISTIC RE-READING OF A GHAZAL OF BIDEL DEHLAVI

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

HASANLI KAVOOS

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: LITERARY CRITICISM Year:2008 | Volume:1 | Issue:2 Page(s): 29-38

Download Full-Text

Persian Verion

View:

1,191

Download:

Cites:

Information Journal Paper

Title

A FORMALISTIC RE-READING OF A GHAZAL OF BIDEL DEHLAVI

Author(s)

HASANLI KAVOOS | Issue Writer Certificate

Keywords

BIDEL DEHLAVIQ2

VERTICAL LINKSQ3

HORIZONTAL LINKSQ3

FORMALISTIC CRITICISMQ2

PASSING OF TIMEQ2

RETURN TO ONESELFQ2

Abstract

When the elements and different components of a literary work are studied and their relation to each other and to the totality of the work is made clear, a reader can claim that she/he has had a formalistic reading of the work. Such a reading facilitates commenting on how the elements and components of the work are interrelated (vertically and horizontally). In this paper, the form and structure of a Ghazal (sonnet) of BIDEL DEHLAVI are re-read, using the intratextual signs. The first line reads: YEK TAARE MU GAR AZ SARE DONYE GOZASHTEI SAD KAHKESHAN ZE OJE SORAYYA GOZASHTEI The theme of this Ghazal which is continuously repeated all through the poem is "advice to RETURN TO ONESELF and put under observation one’s inner self in the bed of the hastening and transitory time". The subject matters of movement, passing, transition and transformation are spread all through the Ghazal. However the link between the lines of the Ghazal is not the sort of link to create a "bodily structure", rather each line of this Ghazal is a separate bead, related to the other beads by a string (the subject matters of movement and PASSING OF TIME) creating a necklace (a Ghazal).

Cites

References

No record.

Cite

APA: Copy

HASANLI, KAVOOS. (2008). A FORMALISTIC RE-READING OF A GHAZAL OF BIDEL DEHLAVI. LITERARY CRITICISM, 1(2), 29-38. SID. https://sid.ir/paper/158299/en

Vancouver: Copy

HASANLI KAVOOS. A FORMALISTIC RE-READING OF A GHAZAL OF BIDEL DEHLAVI. LITERARY CRITICISM[Internet]. 2008;1(2):29-38. Available from: https://sid.ir/paper/158299/en

IEEE: Copy

KAVOOS HASANLI, “A FORMALISTIC RE-READING OF A GHAZAL OF BIDEL DEHLAVI,” LITERARY CRITICISM, vol. 1, no. 2, pp. 29–38, 2008, [Online]. Available: https://sid.ir/paper/158299/en

Related Journal Papers