INFLUENTIAL WORLDS IN THE GENESIS OF AN ARTWORK: SOCIAL HISTORY, ART HISTORY, THE HISTORY OF THE ARTIST

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

AHMADI OLIAYI SAEED; MAHMOUDI FATTANEH

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: LITERARY CRITICISM Year:2015 | Volume:8 | Issue:29 Page(s): 31-52

Download Full-Text

Persian Verion

View:

1,109

Download:

Cites:

Information Journal Paper

Title

INFLUENTIAL WORLDS IN THE GENESIS OF AN ARTWORK: SOCIAL HISTORY, ART HISTORY, THE HISTORY OF THE ARTIST

Author(s)

AHMADI OLIAYI SAEED | MAHMOUDI FATTANEH | Issue Writer Certificate

Keywords

UNCONSCIOUSQ2

TEXTQ3

HISTORYQ2

GENETIC CRITICISMQ2

Abstract

A creative art work is the product of a close interaction between the UNCONSCIOUS and conscious mind. Artists create their works of art by drawing on their intuitive understanding of the world and the tools and methods at their disposal. This paper studies the GENETIC CRITICISM and the factors that are most important in shaping this approach. Because of the scope of the debate on this subject, we have narrowed down the theoretical section of this paper to a discussion of Freud’s theory of UNCONSCIOUS. The process of creating works of art is a production of the confluence of three histories in the artist’s mind: (1) the HISTORY of the world around the art that forms the collective (un-) conscious of the society and has a significant role in the formation of the unity of the context from which the work emerges; (2) the art HISTORY which is vital in the inter TEXTual approaches; (3) the personal HISTORY of the artist that forms the individual (un-)conscious and develops the individuality of the work of art. This article looks at the psychological theories that help develop a critical model for interpretation of these three histories in relation to the genesis of an artwork.

Cites

No record.

References

Cite

APA: Copy

AHMADI OLIAYI, SAEED, & MAHMOUDI, FATTANEH. (2015). INFLUENTIAL WORLDS IN THE GENESIS OF AN ARTWORK: SOCIAL HISTORY, ART HISTORY, THE HISTORY OF THE ARTIST. LITERARY CRITICISM, 8(29), 31-52. SID. https://sid.ir/paper/158369/en

Vancouver: Copy

AHMADI OLIAYI SAEED, MAHMOUDI FATTANEH. INFLUENTIAL WORLDS IN THE GENESIS OF AN ARTWORK: SOCIAL HISTORY, ART HISTORY, THE HISTORY OF THE ARTIST. LITERARY CRITICISM[Internet]. 2015;8(29):31-52. Available from: https://sid.ir/paper/158369/en

IEEE: Copy

SAEED AHMADI OLIAYI, and FATTANEH MAHMOUDI, “INFLUENTIAL WORLDS IN THE GENESIS OF AN ARTWORK: SOCIAL HISTORY, ART HISTORY, THE HISTORY OF THE ARTIST,” LITERARY CRITICISM, vol. 8, no. 29, pp. 31–52, 2015, [Online]. Available: https://sid.ir/paper/158369/en

Related Journal Papers