CARNIVALESQUE IN AHMADZADEH’S SHATRANJ BA MACHIN-E QIYAMAT

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GHAFFARI SAHAR; SAEDI SOHEYLA

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Paper Information

Journal: LITERARY CRITICISM Year:2014 | Volume:7 | Issue:25 Page(s): 99-119

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Information Journal Paper

Title

CARNIVALESQUE IN AHMADZADEH’S SHATRANJ BA MACHIN-E QIYAMAT

Author(s)

GHAFFARI SAHAR | SAEDI SOHEYLA | Issue Writer Certificate

Keywords

CHESS WITH THE DOOMSDAY MACHINEQ2

HOLY-DEFENSE NOVELQ2

BAKHTINQ2

CARNIVALQ2

POLYPHONYQ2

Abstract

Most Iran-Iraq War novels are considered to be an ideological device for the “Holy-Defense” genre; however, in the recent years, a number of distinct polyphonic novelshave emerged, one of the most important of which is Ahmedzadeh’s CHESS WITH THE DOOMSDAY MACHINE. BAKHTIN’s distinction distinguishes between monologue and CARNIVALesque novels. Polyphonic novels, like CARNIVALs, act as a centrifugal force supporting nonofficial dimensions of the society. Images of food and carnal elements, cursing, reciprocal relation between characters and settings according to the double aspects of CARNIVAL, and rebellion against a victorious closure by postponing the narrator’ sactions distorts the linearity of narration common in in the HOLY-DEFENSE NOVELs.

Cites

ANALYZING POLYPHONY NOVEL “CHESS WITH PANDEMONIUM MACHINE”

References

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APA: Copy

GHAFFARI, SAHAR, & SAEDI, SOHEYLA. (2014). CARNIVALESQUE IN AHMADZADEH’S SHATRANJ BA MACHIN-E QIYAMAT. LITERARY CRITICISM, 7(25), 99-119. SID. https://sid.ir/paper/158406/en

Vancouver: Copy

GHAFFARI SAHAR, SAEDI SOHEYLA. CARNIVALESQUE IN AHMADZADEH’S SHATRANJ BA MACHIN-E QIYAMAT. LITERARY CRITICISM[Internet]. 2014;7(25):99-119. Available from: https://sid.ir/paper/158406/en

IEEE: Copy

SAHAR GHAFFARI, and SOHEYLA SAEDI, “CARNIVALESQUE IN AHMADZADEH’S SHATRANJ BA MACHIN-E QIYAMAT,” LITERARY CRITICISM, vol. 7, no. 25, pp. 99–119, 2014, [Online]. Available: https://sid.ir/paper/158406/en

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