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Information Journal Paper

Title

SIAVASH KASRAEI’S ARASH AND IRAN’S LITERARY FIELD

Pages

  67-89

Abstract

 Pierre BOURDIEU pioneered a new theory for sociological studies of literature. According to his theory, people engage in various economic, political, cultural, and literary fields which greatly affect their personalities. Literary field is one of these fields. Based on BOURDIEU’s theory, although a literary work is affected by various fields, it is the field of literary production that determines the literary value of a text. In the field of literary production, form is the innermost issue. The more form-based a literary work is, and the less dependent on other fields, the higher its literary value would be. Kasraei’s ARASH-E KAMANGIR1 is the first and the most popular reproduction of the Arash myth in the field of literary production in Iran. Analysis of this poem based on BOURDIEU’s theory proves that the traces of the poet’s Marxist objectives in this poem and the fact that the poem several times slides into other fields have reduced the literary value of the work.

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    Cite

    APA: Copy

    ROOYANI, VAHID, & HATAMINEZHAD, MANSOUR. (2014). SIAVASH KASRAEI’S ARASH AND IRAN’S LITERARY FIELD. LITERARY CRITICISM, 7(26), 67-89. SID. https://sid.ir/paper/158421/en

    Vancouver: Copy

    ROOYANI VAHID, HATAMINEZHAD MANSOUR. SIAVASH KASRAEI’S ARASH AND IRAN’S LITERARY FIELD. LITERARY CRITICISM[Internet]. 2014;7(26):67-89. Available from: https://sid.ir/paper/158421/en

    IEEE: Copy

    VAHID ROOYANI, and MANSOUR HATAMINEZHAD, “SIAVASH KASRAEI’S ARASH AND IRAN’S LITERARY FIELD,” LITERARY CRITICISM, vol. 7, no. 26, pp. 67–89, 2014, [Online]. Available: https://sid.ir/paper/158421/en

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