THE STAGES OF TEXTUAL PERCEPTION IN SEPEHRIE’S POETRY: BASED ON BEAUGRANDE & DRESSLER’S APPROACH

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LATIF NEJAD FARROKH; SOJOODI FARZAN; POUR KHALEGHI MAHDOKHT

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Journal: LANGUAGE RELATED RESEARCH (COMPARATIVE LANGUAGE AND LITERATURE RESEARCH) Year:2014 | Volume:5 | Issue:3 (19) Page(s): 165-192

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Title

THE STAGES OF TEXTUAL PERCEPTION IN SEPEHRIE’S POETRY: BASED ON BEAUGRANDE & DRESSLER’S APPROACH

Author(s)

LATIF NEJAD FARROKH | SOJOODI FARZAN | POUR KHALEGHI MAHDOKHT | Issue Writer Certificate

Keywords

SEPEHRIEQ2

BEAUGRANDE & DRESSLERQ2

COLLOCATIONQ2

SCHEMAQ2

SEQUENCE OF ACTIONSQ2

Abstract

The current research, taking into account three standards of Beaugrande & Dressler’s textual-cognitive model i.e. cohesion, coherence, intertextuality, explains the four-fold stages of textual perception in Sohrab SEPEHRIE's poetic collection Zendegi-ye Khwabhâ (Dreams’ Life). The aim of the study is to find a new analytical method of the contemporary poetry that is identified through the text hence; it is a collection of identical and mental processes that gradually ring forth the method of understanding and stages of perception to readers. Based on the above model, this study elaborates on a quadric procedure, consisting of parsing, concept recovery, idea recovery and plan recovery for perceiving SEPEHRIE’s poetry. Here, “parsing” is achieved through COLLOCATION; “concept recovery”, through finding the SCHEMA; “idea recovery” through taking a SEQUENCE OF ACTIONS and looking for background knowledge and intertextuality; and finally the “plan recovery” through attachment. In other words, a receiver arrives at SEQUENCE OF ACTIONS following COLLOCATIONs that fills the gap in the text and discovers the poet’s SCHEMA through sharing his/her background information with instances of intertextuality. SEPEHRIE succeeded in expressing his metaphysical experiences in a compact way through repeating and describing a chain SCHEMA via appealing to surrealism and mysticism as elements of intertextuality.

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APA: Copy

LATIF NEJAD, FARROKH, SOJOODI, FARZAN, & POUR KHALEGHI, MAHDOKHT. (2014). THE STAGES OF TEXTUAL PERCEPTION IN SEPEHRIE’S POETRY: BASED ON BEAUGRANDE & DRESSLER’S APPROACH. LANGUAGE RELATED RESEARCH (COMPARATIVE LANGUAGE AND LITERATURE RESEARCH), 5(3 (19)), 165-192. SID. https://sid.ir/paper/166138/en

Vancouver: Copy

LATIF NEJAD FARROKH, SOJOODI FARZAN, POUR KHALEGHI MAHDOKHT. THE STAGES OF TEXTUAL PERCEPTION IN SEPEHRIE’S POETRY: BASED ON BEAUGRANDE & DRESSLER’S APPROACH. LANGUAGE RELATED RESEARCH (COMPARATIVE LANGUAGE AND LITERATURE RESEARCH)[Internet]. 2014;5(3 (19)):165-192. Available from: https://sid.ir/paper/166138/en

IEEE: Copy

FARROKH LATIF NEJAD, FARZAN SOJOODI, and MAHDOKHT POUR KHALEGHI, “THE STAGES OF TEXTUAL PERCEPTION IN SEPEHRIE’S POETRY: BASED ON BEAUGRANDE & DRESSLER’S APPROACH,” LANGUAGE RELATED RESEARCH (COMPARATIVE LANGUAGE AND LITERATURE RESEARCH), vol. 5, no. 3 (19), pp. 165–192, 2014, [Online]. Available: https://sid.ir/paper/166138/en

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