THE PSYCHOLOGY OF COLOR IN HOOSHANG EBTEHAJ’S POERTRY BASED ON MAX LUSCHER’S EXPERIMENT

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FARAJ NEZHAD FARHANG Z.

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Paper Information

Journal: PERSIAN LITERATURE (BAHARESTAN SOKHAN) Year:2016 | Volume:13 | Issue:31 Page(s): 155-180

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Title

THE PSYCHOLOGY OF COLOR IN HOOSHANG EBTEHAJ’S POERTRY BASED ON MAX LUSCHER’S EXPERIMENT

Author(s)

FARAJ NEZHAD FARHANG Z. | Issue Writer Certificate

Keywords

EBTEHAJQ2

COLORQ2

POETRYQ2

PSYCHOLOGYQ2

MAX LUSCHERQ1

Abstract

Colors have fundamental role in man’s emotional and spiritual characteristics. Through choosing the COLORs by the subjects, the psychologist can understand their spiritual-mental conditions. MAX LUSCHER’s test is a test which can reflect the individual’s mental situation by eight functional COLORs. This essay, by studying the COLORs used in Hooshang EBTEHAJ’s POETRY and by the function of COLOR in Luscher’s experiment, deals with internal spirit and conscious mind of the poet in different decades of his life. The question which, by studying the COLORs, comes to mind is that can the choice of the pen-name of the poet have any relationship with his unconscious mind? By studying his POETRY, we can conclude that his pen-name Sayeh (shade) reminds us of the gray hue which represents his gloomy life.

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APA: Copy

FARAJ NEZHAD FARHANG, Z.. (2016). THE PSYCHOLOGY OF COLOR IN HOOSHANG EBTEHAJ’S POERTRY BASED ON MAX LUSCHER’S EXPERIMENT. PERSIAN LITERATURE (BAHARESTAN SOKHAN), 13(31), 155-180. SID. https://sid.ir/paper/168379/en

Vancouver: Copy

FARAJ NEZHAD FARHANG Z.. THE PSYCHOLOGY OF COLOR IN HOOSHANG EBTEHAJ’S POERTRY BASED ON MAX LUSCHER’S EXPERIMENT. PERSIAN LITERATURE (BAHARESTAN SOKHAN)[Internet]. 2016;13(31):155-180. Available from: https://sid.ir/paper/168379/en

IEEE: Copy

Z. FARAJ NEZHAD FARHANG, “THE PSYCHOLOGY OF COLOR IN HOOSHANG EBTEHAJ’S POERTRY BASED ON MAX LUSCHER’S EXPERIMENT,” PERSIAN LITERATURE (BAHARESTAN SOKHAN), vol. 13, no. 31, pp. 155–180, 2016, [Online]. Available: https://sid.ir/paper/168379/en

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