“A NEW GLANCE AT STYLISTIC CHARACTERISTICS AND RHETORIC LANGUAGE OF NAFSAT-AL-MASDOOR BOOK”

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MEHRABAN SEDIGHEH

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Paper Information

Journal: JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB) Year:2012 | Volume:4 | Issue:4 (14) Page(s): 143-153

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Information Journal Paper

Title

“A NEW GLANCE AT STYLISTIC CHARACTERISTICS AND RHETORIC LANGUAGE OF NAFSAT-AL-MASDOOR BOOK”

Author(s)

MEHRABAN SEDIGHEH | Issue Writer Certificate

Keywords

NAFSAT-AL-MASDOORQ1

STYLEQ2

LEXICAL TERMSQ3

ITERATIONQ2

PHONEMEQ2

Abstract

The present article is intended to introduce artistic and specific literary STYLE in book of Nafsat-Al- Masdoor. In addition to historical aspect and as one of the rhetoric masterpieces in technical and epistolary prose in seventh century (14th Ad century), this book is significant in terms of its rhetoric structure and characteristics.Despite of common aspects in technical and artificial prose, author’s attention, persistence and craving to adoration of utterance by lexical rhetoric and special distinction (lexicon) by observance of rhyme, balancing and symmetry as well as embellishment and allusion of speech by implication of religious traditions, proverbs, Arabic and Persian verses and some appositives might lead his prose to have individual STYLE rather than STYLE of his career in comparison with some salient works of his contemporaries including “Marzban Nameh ” and “ Jahangosha History ”.Here in brief, we studied on some of most frequently used literary terms in STYLE="font-style:inherit;color:#ff0078">NAFSAT-AL-MASDOOR book along with few samples from Marzban Nameh and Jahangosha History where their constituent elements are based onphoneme ITERATION. All LEXICAL TERMS, types of wordplay, rhyme, ITERATION, palindrome, derivation and quasi- derivation are used based on PHONEMEs repetition where the author has not adopted them only for decoration of speech by observance rhetoric book rules and regulations but for creation of melody and specific tone of speech on order to induce the meaning better while drawing portraits of the inflicted pain and passions from Mongols’ plunder by application of speech as tool and expressed his own emotions to one to whom he served.By special proficiency in speech and through aesthetic and highly frequent use of words by ITERATION technique, “Zeydari Nasavi” who caused approaching his prose to poetic language enjoyed this characteristic and created aesthetic link between lexicon and meaning and improved the inspired atmosphere and effect of his poetic characteristics by music of its lexicon in this work.

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APA: Copy

MEHRABAN, SEDIGHEH. (2012). “A NEW GLANCE AT STYLISTIC CHARACTERISTICS AND RHETORIC LANGUAGE OF NAFSAT-AL-MASDOOR BOOK”. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), 4(4 (14)), 143-153. SID. https://sid.ir/paper/170548/en

Vancouver: Copy

MEHRABAN SEDIGHEH. “A NEW GLANCE AT STYLISTIC CHARACTERISTICS AND RHETORIC LANGUAGE OF NAFSAT-AL-MASDOOR BOOK”. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)[Internet]. 2012;4(4 (14)):143-153. Available from: https://sid.ir/paper/170548/en

IEEE: Copy

SEDIGHEH MEHRABAN, ““A NEW GLANCE AT STYLISTIC CHARACTERISTICS AND RHETORIC LANGUAGE OF NAFSAT-AL-MASDOOR BOOK”,” JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), vol. 4, no. 4 (14), pp. 143–153, 2012, [Online]. Available: https://sid.ir/paper/170548/en

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