EFFICIENCY OF CHARACTER’S POTENTIAL IN DRAMA (WITH RELIANCE ON EVALUATION OF TURN- TAKING RULES IN DRAMA: WOE UPON THE BEATEN!)

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MAHMOODI BAKHTIARI BEHROOZ; FERESHTEH HEKMAT NARGES

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Journal: JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB) Year:2012 | Volume:5 | Issue:1 (15) Page(s): 313-327

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Title

EFFICIENCY OF CHARACTER’S POTENTIAL IN DRAMA (WITH RELIANCE ON EVALUATION OF TURN- TAKING RULES IN DRAMA: WOE UPON THE BEATEN!)

Author(s)

MAHMOODI BAKHTIARI BEHROOZ | FERESHTEH HEKMAT NARGES | Issue Writer Certificate

Keywords

TURN- TAKINGQ2

DIALOGUEQ3

POTENTIAL OF CHARACTERQ2

WOE UPON THE BEATENQ2

Abstract

Among different literary genres, language stylistic field shows greater tendency toward dramas so that dramatic texts have been converted into one of the foremost fields of implementation of paradigms and topics of stylistics. At this field of linguistic analyses which seeks for disambiguation from the given literary work, language pragmatic approach is more specialized than other viewpoints: It is an approach that is considered as one of the interdisciplinary branches and it has been gradually resulted in creation of modern tendency in linguistics and dramatic critique. By purposing subject of TURN- TAKING in daily conversation and clearly in dramatic DIALOGUE, irrespective of considering the author of the given work, this eclectic branch of linguistics puts a scientific attitude for stylistic analyses at critic and researcher’s disposal.In DIALOGUE, TURN- TAKING deals with some elements in quality of sharing turn among characters thereby to appraise rate of potential for any character at any stage of drama. The present survey is aimed at giving answer to this question that to what extent a researcher may contribute to comprehension of dramatic language style to dramatists. For this purpose, this modern perspective has been implemented on drama called “Woe upon the beaten!” in 1970, written by Mr. Gholam Hossein Saedi (1935-1967) in order, in this course, to adopt this theory and to be indicated practically in analysis on a literary text. We will see that benefiting from TURN- TAKING rules may denote the rate of character’s potential at any step of drama and in relation to other characters.

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APA: Copy

MAHMOODI BAKHTIARI, BEHROOZ, & FERESHTEH HEKMAT, NARGES. (2012). EFFICIENCY OF CHARACTER’S POTENTIAL IN DRAMA (WITH RELIANCE ON EVALUATION OF TURN- TAKING RULES IN DRAMA: WOE UPON THE BEATEN!). JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), 5(1 (15)), 313-327. SID. https://sid.ir/paper/170803/en

Vancouver: Copy

MAHMOODI BAKHTIARI BEHROOZ, FERESHTEH HEKMAT NARGES. EFFICIENCY OF CHARACTER’S POTENTIAL IN DRAMA (WITH RELIANCE ON EVALUATION OF TURN- TAKING RULES IN DRAMA: WOE UPON THE BEATEN!). JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)[Internet]. 2012;5(1 (15)):313-327. Available from: https://sid.ir/paper/170803/en

IEEE: Copy

BEHROOZ MAHMOODI BAKHTIARI, and NARGES FERESHTEH HEKMAT, “EFFICIENCY OF CHARACTER’S POTENTIAL IN DRAMA (WITH RELIANCE ON EVALUATION OF TURN- TAKING RULES IN DRAMA: WOE UPON THE BEATEN!),” JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), vol. 5, no. 1 (15), pp. 313–327, 2012, [Online]. Available: https://sid.ir/paper/170803/en

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