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Information Journal Paper

Title

Jean Paul Sartre and ‘ False belief’ in Becket’ s Krapp's Last Tape

Pages

  221-232

Abstract

 Becket was one of the most influential Dramatists of twentieth century. His plays are categorized under the Theater of Absurd due to the existential questions and qualities in his works. Krapp’ s last tape like many other plays by Becket, delineates the restlessness of man, trapped in a life which they are condemned to live. However in the case of Krapp, the character does not designate absurdity as much as he manifests nostalgia, despair and regret. In other words, Krapp and Becket’ s other characters are desperate although, as for Krapp, the interlocutor knows the thread which goes back to the strong source of dissatisfaction. Krapp has a reason for looking absurd and disillusioned, which has left a lasting mark on his life. The despair of the individual comes as a conflict between past and present. Krapp is the one and only character in this play. He listens to his own voice recorded in the past. He is incessantly lambasting himself by disapproving of his past...

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    APA: Copy

    ASKARZADEH TORGHABEH, RAJABALI. (2019). Jean Paul Sartre and ‘ False belief’ in Becket’ s Krapp's Last Tape. RESEARCH IN CONTEMPORARY WORD LITERATURE (PAZHUHESH-E ZABANHA-YE KHAREJI), 24(1 ), 221-232. SID. https://sid.ir/paper/182459/en

    Vancouver: Copy

    ASKARZADEH TORGHABEH RAJABALI. Jean Paul Sartre and ‘ False belief’ in Becket’ s Krapp's Last Tape. RESEARCH IN CONTEMPORARY WORD LITERATURE (PAZHUHESH-E ZABANHA-YE KHAREJI)[Internet]. 2019;24(1 ):221-232. Available from: https://sid.ir/paper/182459/en

    IEEE: Copy

    RAJABALI ASKARZADEH TORGHABEH, “Jean Paul Sartre and ‘ False belief’ in Becket’ s Krapp's Last Tape,” RESEARCH IN CONTEMPORARY WORD LITERATURE (PAZHUHESH-E ZABANHA-YE KHAREJI), vol. 24, no. 1 , pp. 221–232, 2019, [Online]. Available: https://sid.ir/paper/182459/en

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