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Information Journal Paper

Title

IRANIAN WOMAN’S POSITION IN CONTEMPORARY POETIC WORKS

Pages

  21-33

Keywords

MASHROUTEH (CONSTITUTIONAL REVOLUTION)Q2

Abstract

 After the Constitutional Revolution Period (Mashrouteh) with regard to the progress in developed countries and the Iranian society, the WOMEN also entered the realm of overt social relations and became aware of their social and humanitarian values and portrayed their social identity by their writings. To emancipate Iranian WOMEN and achieving equality of WOMEN's and men's rights, they stressed on the presence of WOMEN on different social and cultural circumstances. The poetess expressed their ideas by means of poem regarding WOMEN status in Iranian society. Among the entire contemporary Iranian poetess, Jaleh Ghaemmaghami, PARVIN ETESAMI and SIMIN BEHBAHANI attained a deeper view with respect to woman’s position and had attended to the agenda. Therefore we purposed to investigate the dimensions of the subject by emphasizing on the above mentioned three poetesses’ poetic works.

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    Cite

    APA: Copy

    DARABPOUR, I.. (2011). IRANIAN WOMAN’S POSITION IN CONTEMPORARY POETIC WORKS. WOMAN AND CULTURE, 2(7), 21-33. SID. https://sid.ir/paper/189661/en

    Vancouver: Copy

    DARABPOUR I.. IRANIAN WOMAN’S POSITION IN CONTEMPORARY POETIC WORKS. WOMAN AND CULTURE[Internet]. 2011;2(7):21-33. Available from: https://sid.ir/paper/189661/en

    IEEE: Copy

    I. DARABPOUR, “IRANIAN WOMAN’S POSITION IN CONTEMPORARY POETIC WORKS,” WOMAN AND CULTURE, vol. 2, no. 7, pp. 21–33, 2011, [Online]. Available: https://sid.ir/paper/189661/en

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