A COMPARISON OF NATURE IMAGERY IN 7TH CENTURY MYSTICAL MATHNAVIS (MOWLAVI’S MATHNAVI, ATTAR’S MATHNAVI AND SANAEE’S HADEEQA)

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

HEMMATI S.

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: PERSIAN LITERATURE QUARTERLY Year:2009 | Volume:5 | Issue:21 Page(s): 166-179

Download Full-Text

Persian Verion

View:

1,515

Download:

Cites:

Information Journal Paper

Title

A COMPARISON OF NATURE IMAGERY IN 7TH CENTURY MYSTICAL MATHNAVIS (MOWLAVI’S MATHNAVI, ATTAR’S MATHNAVI AND SANAEE’S HADEEQA)

Author(s)

HEMMATI S. | Issue Writer Certificate

Keywords

IMAGERYQ2

NATUREQ2

MOWLAVIQ2

SANAEEQ2

ATTARQ2

Abstract

While expressing the way NATURE images and its various perspectives are used in non-mystical poetry, the writer is going to deal with the differences in the way these elements are used in MOWLAVI’s Mathnavi, ATTAR’s Mathnavi and SANAEE’s Hadeeqa, which are close to each other in thoughts.A quick look at the various periods of Persian poetry reveals that Persian poetry has always been in need of profiting from NATURE IMAGERY. The poets of the first period of Persain poetry (khorasani style) are poets who picture NATURE and have objective movement, while, in MOWLAVI’s Mathnavi and his contemporaries, this movement is abstract and is used as a means of inspiring meanings. What is noteworthy here is the point that the way NATURE perspectives are used and dscribed in SANAEE and ATTAR’s mathnavis is stereotypical and repetitive, while in MOWLAVI’s Mathnavi this IMAGERY is more diverse and has been expressed in a new and unique way.

Cites

No record.

References

No record.

Cite

APA: Copy

HEMMATI, S.. (2009). A COMPARISON OF NATURE IMAGERY IN 7^THCENTURY MYSTICAL MATHNAVIS (MOWLAVI’S MATHNAVI, ATTAR’S MATHNAVI AND SANAEE’S HADEEQA). PERSIAN LITERATURE QUARTERLY, 5(21), 166-179. SID. https://sid.ir/paper/194180/en

Vancouver: Copy

HEMMATI S.. A COMPARISON OF NATURE IMAGERY IN 7^THCENTURY MYSTICAL MATHNAVIS (MOWLAVI’S MATHNAVI, ATTAR’S MATHNAVI AND SANAEE’S HADEEQA). PERSIAN LITERATURE QUARTERLY[Internet]. 2009;5(21):166-179. Available from: https://sid.ir/paper/194180/en

IEEE: Copy

S. HEMMATI, “A COMPARISON OF NATURE IMAGERY IN 7^THCENTURY MYSTICAL MATHNAVIS (MOWLAVI’S MATHNAVI, ATTAR’S MATHNAVI AND SANAEE’S HADEEQA),” PERSIAN LITERATURE QUARTERLY, vol. 5, no. 21, pp. 166–179, 2009, [Online]. Available: https://sid.ir/paper/194180/en

Related Journal Papers