THE RECIPROCAL EFFECTS OF CHINESE AND IRANIAN PAINTING IN MONGOL ERA

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

PARGOO M.A.

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Download Full-Text

Persian Verion

View:

2,723

Download:

Cites:

Information Journal Paper

Title

THE RECIPROCAL EFFECTS OF CHINESE AND IRANIAN PAINTING IN MONGOL ERA

Author(s)

PARGOO M.A. | Issue Writer Certificate

Keywords

IRANQ2

CHINAQ2

ARTQ3

PAINTINGQ3

MONGOLQ3

ARTISTIC BOOKSQ3

Abstract

After domination of MONGOL on Changise’s army in the city of Uighur relatives and dissolving of this tribe in Tatars, PAINTING style of Manoy-Uighurs published and became common in CHINA through MONGOL and enthusiasm of the skillful professors of this city had effects on it. Gradually this style of PAINTING became known as a special style after passing through the Uighur and Moghol ARTists. This style came to IRAN and was known as the“Chinease style”. The reason of this popularity of Chinease ARTists in IRAN was because of Ilkhanan order. As a result of commuting of IRANian people from IRAN to CHINA, this Chinease style was published in IRAN. Because of ARTistic effect of Chinease ARTists and paper, pen and Chinease ink and way of PAINTING and combination of lines and drawing the animals face and living organisms were not experienced among the ART of Muslims, like crocodile and some mythic animals. Gradually new elements entered in IRANian PAINTING and drawing of MONGOLian faces with big eyes and round cheeks became common and this combination of IRANian an Chinease ART effects together aspired in form of an “artistic book of Harat” in Teymooriyan age.

Cites

No record.

References

No record.

Cite

APA: Copy

PARGOO, M.A.. (2011). THE RECIPROCAL EFFECTS OF CHINESE AND IRANIAN PAINTING IN MONGOL ERA. JOURNAL OF IRANIAN ISLAMIC PERIOD HISTORY (JOURNAL OF FACULTY OF LETTERS AND HUMANITIES) (TABRIZ), 1(2), 25-42. SID. https://sid.ir/paper/207538/en

Vancouver: Copy

PARGOO M.A.. THE RECIPROCAL EFFECTS OF CHINESE AND IRANIAN PAINTING IN MONGOL ERA. JOURNAL OF IRANIAN ISLAMIC PERIOD HISTORY (JOURNAL OF FACULTY OF LETTERS AND HUMANITIES) (TABRIZ)[Internet]. 2011;1(2):25-42. Available from: https://sid.ir/paper/207538/en

IEEE: Copy

M.A. PARGOO, “THE RECIPROCAL EFFECTS OF CHINESE AND IRANIAN PAINTING IN MONGOL ERA,” JOURNAL OF IRANIAN ISLAMIC PERIOD HISTORY (JOURNAL OF FACULTY OF LETTERS AND HUMANITIES) (TABRIZ), vol. 1, no. 2, pp. 25–42, 2011, [Online]. Available: https://sid.ir/paper/207538/en

Related Journal Papers