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Information Journal Paper

Title

The origins of the images in the poetry of Bidel-e-Dehlavi

Pages

  131-152

Abstract

 Poetic images had different manifestations in different literary periods. Poetic images in the poems are products of two basic factors: 1. Society and political, social and cultural conditions governed on it; 2. Poet's thoughts and mentality that play crucial role in creating poetic images. Bidel's poetic images are the result of his imagination; he combines his sensory and mental experiences in such a way that the reader is not able to grasp a single and explicit meaning from them. The only device to understand his poems is the reader's knowledge. The present article, based on library resources, deals with the origins and nature of Bidel's poetic images. The results show that the origins of his images are intrinsically different from the images of Persian classical poets, because the origins of the classical poetry are tangible and understandable elements; whereas the origins of Bidel's poetic images are the result of his philosophical-mystical thoughts, uttered in a special language. This language is called 'the language of dream' that causes complexity and ambiguity, and consequently incertainty in the meaning.

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    APA: Copy

    Basirpoor, Mansore, & MEHRAKI, IRAJ. (2019). The origins of the images in the poetry of Bidel-e-Dehlavi. RAYS OF CRITICISM IN ARABIC AND PERSIAN, 8(4 (32) ), 131-152. SID. https://sid.ir/paper/212508/en

    Vancouver: Copy

    Basirpoor Mansore, MEHRAKI IRAJ. The origins of the images in the poetry of Bidel-e-Dehlavi. RAYS OF CRITICISM IN ARABIC AND PERSIAN[Internet]. 2019;8(4 (32) ):131-152. Available from: https://sid.ir/paper/212508/en

    IEEE: Copy

    Mansore Basirpoor, and IRAJ MEHRAKI, “The origins of the images in the poetry of Bidel-e-Dehlavi,” RAYS OF CRITICISM IN ARABIC AND PERSIAN, vol. 8, no. 4 (32) , pp. 131–152, 2019, [Online]. Available: https://sid.ir/paper/212508/en

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