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Information Journal Paper

Title

THE PORTRAIT OF THE FEMALE BELOVED IN MOALAGHATE HAFTGANEH

Pages

  97-113

Abstract

 As far as "Jaheli" poetry is concerned the main theme is woman the evidence for which is found in the scarcity of ode begun with anything except love, SONNET, description of female beauties and the poet to reach her mysteries. A "Jaheli" poet describes woman beauties primarily fascinated by her face, the beauty of her body quite expectedly, but describing her moral spiritual aspects and an image of her affection as well as the love story between and woman just come after the description of women body. Moreover, JAHELI WOMAN is superior to the ordinary people and enters poets' lives inspiring them with simultaneously encouraging them to create artistic works which results in masterpieces in describing woman and innovation in portraying her beauties.The Jaheli poet portrays an statute of JAHELI WOMAN in whose forehead some signs are evident. His poetry starts from hair and comes to the feet. This is a simile suggesting the secret of life full of morals and spiritual attributes which themselves are ones that Jaheli man appreciates as a whole in the woman.

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  • Cite

    APA: Copy

    SEDGHI, HAMED, & VEYSI, YASIN. (2012). THE PORTRAIT OF THE FEMALE BELOVED IN MOALAGHATE HAFTGANEH. RAYS OF CRITICISM IN ARABIC AND PERSIAN, 2(6), 97-113. SID. https://sid.ir/paper/212552/en

    Vancouver: Copy

    SEDGHI HAMED, VEYSI YASIN. THE PORTRAIT OF THE FEMALE BELOVED IN MOALAGHATE HAFTGANEH. RAYS OF CRITICISM IN ARABIC AND PERSIAN[Internet]. 2012;2(6):97-113. Available from: https://sid.ir/paper/212552/en

    IEEE: Copy

    HAMED SEDGHI, and YASIN VEYSI, “THE PORTRAIT OF THE FEMALE BELOVED IN MOALAGHATE HAFTGANEH,” RAYS OF CRITICISM IN ARABIC AND PERSIAN, vol. 2, no. 6, pp. 97–113, 2012, [Online]. Available: https://sid.ir/paper/212552/en

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