L’IDENTITE FEMININE DANS LA DICHOTOMIE DES PERSONNAGES ROMANESQUES ETUDE SELECTIVE: SOUVACHOUN

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GHOLAMI FATEMEH; DADREZAEI MEHDI

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Paper Information

Journal: REVUE DES ETUDES DE LA LANGUE FRANCAISE Year:2010 | Volume:1 | Issue:2 Page(s): 45-57

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Title

L’IDENTITE FEMININE DANS LA DICHOTOMIE DES PERSONNAGES ROMANESQUES ETUDE SELECTIVE: SOUVACHOUN

Author(s)

GHOLAMI FATEMEH | DADREZAEI MEHDI | Issue Writer Certificate

Keywords

XXE SIECLEQ3

ROMANQ2

REALITEQ2

IRANQ2

S. DANECHVARQ2

FEMMEQ2

SITUATION SOCIALEQ3

Abstract

Le vingtieme siecle est une periode ou l’homme cherche a demystifier la verite, a se creer la REALITE. Cette vocation inspire surtout les ecrivains, poetes, ROMANciers, dramaturges, critiques, etc.Au fur et a mesure que l’auteur sent le besoin de renforcer la relation entre son art et la tendance de trouver la REALITE, il choisit consciemment de parler de la REALITE qu’il constate. Ainsi son œuvre met-elle un vaste horizon de vie-sociale et individuelle-devant les yeux du lecteur, il nous permet de voir toute la vie et non pas un aspect particulier.Ce choix tendancieux, pour parler des histoires reelles, se fait aussi en IRAN par une serie d’ecrivains comme J. Ale Ahmad, B. Alavi, S. Choubak, GH. H. Saedi, auxquels il faut ajouter le nom de Simine Danechvar qui profite de ce genre de regard au gre de la FEMME, de ses joies, de ses miseres et en gros de sa SITUATION SOCIALE dans le pays. C’est l’etude de l’identite de la FEMME IRANienne a travers Souvachoun de notre grande ROMANciere contemporaine, Simine Danechvar, qui constitue l’objet de notre etude. English: The Female Identity in the Dichotomy of Fictional Characters Selective Study: SouvashounThe twentieth century is a period when man seeks to demystify the truth, to create reality. This mission inspires most writers, poets, novelists, playwrights, critics, etc. Gradually, as the author feels the need to strengthen the relationship between his art and his tendency to find reality, he consciously chooses to speak of the reality he observes. Thus, his work puts a vast panorama of life_social and individual_in front of the eyes of the reader; so it allows us to see a whole lifetime and not a particular aspect. This tendentious choice, to speak of true stories, is also done in IRAN by a series of writers such as J. Ale Ahmad, B. Alavi, S. Choubak, GH. H. Saedi, to which must be added the name of Simin Daneshvar who benefits from this kind of scrutiny at the discretion of the woman, her joys, her miseries and wholesale social situation in the country. The study of the identity of IRANian women throughSouvashoun of our great contemporary novelist, Simin Daneshvar, is the object of our study.key word: Twentieth century, ROMAN, Reality, IRAN, S. Daneshvar, Women, Social conditions

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APA: Copy

GHOLAMI, FATEMEH, & DADREZAEI, MEHDI. (2010). L’IDENTITE FEMININE DANS LA DICHOTOMIE DES PERSONNAGES ROMANESQUES ETUDE SELECTIVE: SOUVACHOUN. REVUE DES ETUDES DE LA LANGUE FRANCAISE, 1(2), 45-57. SID. https://sid.ir/paper/223142/en

Vancouver: Copy

GHOLAMI FATEMEH, DADREZAEI MEHDI. L’IDENTITE FEMININE DANS LA DICHOTOMIE DES PERSONNAGES ROMANESQUES ETUDE SELECTIVE: SOUVACHOUN. REVUE DES ETUDES DE LA LANGUE FRANCAISE[Internet]. 2010;1(2):45-57. Available from: https://sid.ir/paper/223142/en

IEEE: Copy

FATEMEH GHOLAMI, and MEHDI DADREZAEI, “L’IDENTITE FEMININE DANS LA DICHOTOMIE DES PERSONNAGES ROMANESQUES ETUDE SELECTIVE: SOUVACHOUN,” REVUE DES ETUDES DE LA LANGUE FRANCAISE, vol. 1, no. 2, pp. 45–57, 2010, [Online]. Available: https://sid.ir/paper/223142/en

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