MUSIC IN GHAYSAR AMINPOUR’S POETRY

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NAZARI MAH

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Journal: DIHKHUDA (ANALYSIS AND INTERPRETATION OF TEXTS IN PERSIAN LANGUAGE AND LITERATURE) Year:2010 | Volume:- | Issue:5 Page(s): 137-165

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Information Journal Paper

Title

MUSIC IN GHAYSAR AMINPOUR’S POETRY

Author(s)

NAZARI MAH | Issue Writer Certificate

Keywords

MUSICQ2

RHYTHMQ2

RADIFQ2

RHYMEQ2

HARMONYQ3

Abstract

A literary masterpiece, in order to communicate its own essence, utilizes the alchemy of MUSIC which is the most straight forward art flowing in man’s soul. Words resurrection reaches its own highest point when it is twinned with MUSIC. In general, next to emotion which is the spiritual principle of poetry, RHYTHM makes poetry more exciting not on account of the fact that the RHYTHM in poetry has a pedagogical role, but in view of the fact that it is a natural phenomenon used for conveying the emotions which could not be overlooked at all. The group of elements which privilege poetic language form daily language due to MUSIC, balance and meter, and in fact due to the MUSICal order which cause the resurrection of word and highlighting words in language are called MUSICal groups. Its various types including RHYTHM, RHYME, RADIF, pun, harmonious sounds, etc. are all familiar elements. They are apt to be analyzed and their causes could be traced. Also, MUSIC of poetry is utilized extensively in Ghaysar Aminpour’s poems. The poet in order to express his e emotion and ideas consciously and artistically has employed various kinds of MUSIC used in language and rhetoric with a very beautiful and influential method. This article argues that the skill of the poet is not confined to his novel employment of MUSIC in the Dihkhuda Persian Language and Literature Quarterly/ X chamber of meter, but it is broadened by utilizing the MUSIC of words in connotation, poetic collocation, balance, alliteration, onomatopoeia, and MUSIC of poetry (external MUSIC, internal MUSIC, marginal MUSIC, spiritualMUSIC).

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APA: Copy

NAZARI, MAH. (2010). MUSIC IN GHAYSAR AMINPOUR’S POETRY. DIHKHUDA (ANALYSIS AND INTERPRETATION OF TEXTS IN PERSIAN LANGUAGE AND LITERATURE), -(5), 137-165. SID. https://sid.ir/paper/232555/en

Vancouver: Copy

NAZARI MAH. MUSIC IN GHAYSAR AMINPOUR’S POETRY. DIHKHUDA (ANALYSIS AND INTERPRETATION OF TEXTS IN PERSIAN LANGUAGE AND LITERATURE)[Internet]. 2010;-(5):137-165. Available from: https://sid.ir/paper/232555/en

IEEE: Copy

MAH NAZARI, “MUSIC IN GHAYSAR AMINPOUR’S POETRY,” DIHKHUDA (ANALYSIS AND INTERPRETATION OF TEXTS IN PERSIAN LANGUAGE AND LITERATURE), vol. -, no. 5, pp. 137–165, 2010, [Online]. Available: https://sid.ir/paper/232555/en

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